American Studies

Prof. Dr. Bernd Herzogenrath

Prof. Dr. Bernd Herzogenrath

Prof. Dr. Bernd Herzogenrath


 		  

Bernd Herzogenrath ist seit 2010 Professor am Institut für England und Amerikastudien.


ausführlicher cv




https://uni-frankfurt1.academia.edu/BerndHerzogenrath

 

office: IG 4.213
office hours: ab 23.04. dienstags 11-12
keine Sprechzeiten:14.05. und 18.06.


e-mail: herzogenrath@em.uni-frankfurt.de

  

 

  


Ankündigung meines Projektes '©ovid’s metamorphoses‘ :


ich habe im ersten ‚großen lockdown‘ im April 2020 ein internationales 
kunstprojekt konzipiert, und in den darauffolgenden 1,5 jahren mit dem 
frankfurter klangkünstler lasse-marc riek organisiert und kuratiert, 
und bin nun auf der suche nach fördermitteln für die publikation 
dieses projektes.
das projekt hat den namen ‚©ovid’s metamorphoses,‘ und basiert auf der 
idee der stillen post (siehe projektbeschreibung im anhang). in 
anlehnung an 'covid-19' haben wir 19 runden gespielt, mit insgesamt 
133 internationalen künstler*innen aus den bereichen film, sound, 
text, und photographie (also ein multimediales projekt). dies 
bedeutet, wir haben nun insgesamt 152 kunstwerke, plus in den meisten 
fällen noch einen kurzen ‚log-buch-text‘ zu den einzelnen werken.

es sind wirklich renommierte künstler*innen und bekannte namen dabei – 
aus dem bereich film z.B. bill morrison und vincent moon; aus dem 
bereich sound der unlängst verstorbene lee ‚scratch‘ perry, richard 
reed parry von der band arcade fire, maja s k ratkje, deren neueste 
komnposition letzte wocheals auftragsarbeit des ensemble modern in der 
alten oper uraufgeführt wurde; aus dem bereich text die 
schriftsteller*innen tom mccarthy und christine wunnicke, die 
philosophinnen jane bennet und rosi braidotti, dann anna tsing (die 
kürzlich zur ‚zweiteinflussreichsten person in der kunstwelt‘ 
nominiert wurde; und im bereich photographie die bekannten künstler 
michael wesely und tomás saraceno.

und jetzt kommt meine bitte/anfrage – um ein solches projekt zu 
veröffentlichen, braucht es natürliches einiges an finanzen, bzw 
finanzieller unterstützung. Das projekt fällt leider m.W. zwischen 
alle ‚funding-stühle:‘ es ist nicht wissenschaftlich/akademisch, für 
fördferung vor projektbeginn war es den kulturstuiftungen der 
länder/des bundes zu international – nach projektende nicht mehr 
förderungswürdig, da fertige projekte eben nicht gefördert werden, 
etc. über eigenes erspartes, großzügige spenden, und eine kleine 
unterstützung des kulturamtes habe ich bisher ca 10000€ zusammentragen 
können – das ist aber knapp die hälfte dessen, was wir zur 
veröffentlichung benötigen: uns schwebt ein set (auflage ca 250 stück) 
aus mehreren vinyl-platten, plus mehreren DVDs, plus einem ‚lavishly 
illustrated‘ buch vor, welches dann den teilnehmenden künstler*innen 
als ‚symbolisches honorar‘ für ihre mitwirkung überreicht werden soll. 
die ca 100 übrigen sets sollen dann verkauft werden, um etwaige andere 
kosten (mastering, technische realisierung einer digitalen ausstellung 
im netz, etc, zu finanzieren). zum einen wäre ich da natürlich äußerst 
dankbar über direkte finanzielle hilfe – dazu habe ich ein (zugegeben 
recht peinliches) schnellschuss-crowdfunding projekt auf die beine 
gestellt, welches man unter

https://www.startnext.com/covids-metamorphoses

einsehen, und da auch direkt unterstützen kann, wenn man mag (dort ist 
auch eine komplette liste der teilnehmenden künstler*innen hinterlegt).




Influx & Efflux: Jane Bennett in Conversation - Panel and Q&A
Date and Time: Tue, November 3, 2020, 6:00 PM – 8:00 PM CET







Jane Bennett and panelists discuss human agency and nonhuman influences in her new book "Influx & Efflux", followed by a Q&A.

Join author Jane Bennett and panelists Kathy Ferguson (moderator), Emily A. Parker, Bernd Herzogenrath, Derek McCormack and Peter M. Coviello for a panel discussion and Q&A about Influx & Efflux and new ways to think about human agency in a world teeming with powerful nonhuman influences.


https://www.eventbrite.com/e/influx-efflux-jane-bennett-in-conversation-panel-and-qa-tickets-123226320241

Publications

Publications

Books:

 

with Hanjo Berressem (Eds.): Near Encounters - A Festschrift for Richard Martin. Frankfurt am Main: Peter Lang Publishing, 1995.

 An Art of Desire. Reading Paul Auster. Amsterdam and Atlanta: Editions Rodopi, 1999.

 Guest-Editor of Other Voices Issue I.3 (1999): ‘Psychoanalysis and Culture’
at: http://www.othervoices.org/1.3/board.html

 From Virgin Land to Disney World: Nature and Its Discontents in the USA of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.

 The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006.

 The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008.

 Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009.

 An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.

 Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009.

 The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009.

 An American Body|Politic – A Deleuzian Approach. Dartmouth College Press, 2010.

 The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012.

 Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012.

 Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.

 media|matter: the materiality of media, matter as medium. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015.

 Film as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017.

 sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017.

 


 

 

Forthcoming Books:

 

Aesthetics of the Archive. The Works of Bill Morrison. Ed. Bernd Herzogenrath. Amsterdam: AUP, November 2017.

 

 

Editorial Boards:

 

Other Voices (Guest Editor)

 

Ars Aeterna (since 2009)

 

Moravian Journal of Literature and Film (since 2009)

 

Communication Today (since 2010)

 

book series thinking|media – Bloomsbury (main editor, together with Patricia Pisters, since 2014)

 

book series New Politics of Autonomy (Rowman & Littlefield International, since 2014)

  

     

An Art of Desire. Reading Paul Auster.
Amsterdam and Atlanta: Editions Rodopi, 1999.

  

From Virgin Land to Disney World:
Nature and Its Discontents in the USA of Yesterday and Today.
Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.

  
 
    
  

 		    
 

The Films of Tod Browning. Ed. Bernd Herzogenrath.
London: Black Dog Publishing, 2006.

    

The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2008.

  
 
    
  
     
 

Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009.

    

An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath.
Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.

  
 
    
  
     
 

Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2009.

    

The Films of Edgar G. Ulmer.
Ed. Bernd Herzogenrath. Lanham, Maryland:
Scarecrow Press, 2009.

  
 
    
  
     
 

An American Body|Politic – A Deleuzian Approach.
Dartmouth College Press, 2010.

    

The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012.

  
 
    
  
     
 

Time and History in Deleuze and Serres.
Ed. Bernd Herzogenrath. Continuum Press, 2012.

    

Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.

  
 
    
  
     
 

media|matter: the materiality of media,
matter as medium.
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, 2015.

    

sonic thinking: thinking media
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, Feb. 2017.

  
 
    
  
     

film as philosophy
Ed. Bernd Herzogenrath. Univ. of Minnesota Pr. March, 2017.

      

Articles:

 

‘From the Lost Generation to Generation X: The Great Gatsby vs. Kurt Cobain.’ Near Encounters - A Festschrift for Richard Martin. Ed. Hanjo Berressem und Bernd Herzogenrath Frankfurt am Main: Peter Lang Publishing, 1995, 121-40.

‘A Possible Source for the Name “Oedipa Maas.”’ Pynchon Notes 40-41, 107-10.

 ‘On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.’ Other Voices 1:3 (Jan 1999),
http://www.othervoices.org/1.3/bh/highway.html

 ‘Stop Making Sense: Fuck ‘em and Their Law (... it’s only I and 0 but I like it ...).’ Postmodern Culture 10:2 (Jan 2000).
http://www3.iath.virginia.edu/pmc/text-only/issue.100/10.2herzogenrath.txt

 ‘The Education of Henry Adams: A Physical Theory of Heredity/Heresy.’ Organs, Organisms, Organisations. Organic Form in 19th Century Discourse. Literary and Cultural Theory Vol. 6. Eds. T. Rachwal/T. Slawek Frankfurt am Main: Peter Lang Publishing, 2000, 159-68.

 ‘Looking Back at Old Adam: Cultural Identity in/as Retrospect(ion).’ ZENAF Conference Proceedings, Volume 1/2000. Frankfurt am Main: Zentrum für Nordamerika-Forschung (ZENAF), 2000, 15-39.

 

‘The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh.’ Enculturation 3.1 (Fall 2000) http://enculturation.gmu.edu/3_1/herzogenrath/index.html

 

‘The American Adam Revisited. American Literature, (National) Identity, and the Logic of Belatedness.’ Critical Essays on the Myth of the American Adam. Eds. Viorica Patea und Mará Eugenia Díaz. Salamanca: Ediciones Universidad de Salamanca, 2001, 65-80.

 

‘Nature’s Nation/Nation’s Nature: An Introduction.’ From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 1-6.

 

‘Looking Forward/Looking Back: Thomas Cole and the Belated Construction of Nature.’ From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 83-104.

 

‘Living on the Edge. In the Country of Last Things.’ “As Strange As The World.” Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster. Eds. Andreas Lienkamp, Wolfgang Werth, Christian Berkemeier. Hamburg: LIT Verlag, 2002, 63-75.

 

‘God is a DJ: Techno and Mysticism.’ Spirituality and Religion in American Culture. Eds. M. Peprnik and M. Sweney. Olomouc: Univerzita Palackého v Olomouci, 2002, 147-63.

 

‘Join the United Mutations: Tod Browning’s Freaks.’ Post Script: Essays in Film and the Humanities 21:3 (Fall 2002): 8-19.

 

‘Adam in the Rear-View Mirror: The Belated Construction of Origins in Cooper’s Leatherstocking Tales.’ Beyond Philology 2 (2002): 105-19.

‘ОСТАНОВИТЬ ПРОИЗВОДСТВО СМЫСЛА: ЕБАТЬ ИХ И ИХ ЗАКОН (Б. Херцогенраф)’ Russian Translation of my article ‘Stop Making Sense: Fuck ‘em and Their Law (... it’s only I and 0 but I like it ...)’ by Vsevolod http://www.highbook.narod.ru/philos/prodigy.htm (2003)

 

‘The Prefix Rules: American Psycho and the Poetics of [Mis].’ [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 112-30.

 

‘Brundlefly For President. Cronenberg, Kafka, and the Fiction of Insect Politics.’ [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 273-90.

 

‘Tod Browning’s Freaks and the Fraternity of the Fragmented.’ The EmBodyment of American Culture. Eds. Heinz Tschachler, Maureen Devine, Michael Draxlbauer. Münster: LIT Verlag, 2003, 203-15.

 

‘JOIN, or DIE! The Myth of Wholeness and Visual Strategies of Dismemberment in Early American Political Cartoons.’ Colonial Encounters. Essays in Early American History and Culture. Ed. Hans-Jürgen Grabbe. Heidelberg: Universitätsverlag Winter, 2003, 243-62.

 

‘The Grotesque Body of Radical Democracy: Freaks and the Iconography of the Dismembered Body.’ Popular Culture and Democracy – An Easy/Uneasy Relationship. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2004, 93-109.

 

‘The (Un)fortunate Traveler and the Text: Bill Manhire’s The Brain of Katherine Mansfield.’ Towards a Transcultural Future. Literature and Society in a ‘Post’-Colonial World. Eds. Geoffrey V. Davis, Peter H. Marsden, Bénédicte Ledent and Marc Delrez. Amsterdam and New York: Editions Rodopi, 2005, 143-54.

 

‘Let’s get Physical. Heidegger’s Cyborg and the Vicissitudes of the Machine|Body.’ Wrestling Bodies. Gramma 11 (2003): 55-66. [published 2005]

 

‘A Tale of Two Generations: The Bravado of Failure in The Great Gatsby and Kurt Cobain.’ America: Home of the Brave. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2005, 149-68.

 

‘“Шоссе в никуда:” Линч и Лакан, кино и культурная патология.’ [Russian Translation of my article: “On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.”] Trans. Cyril Drozdov. Русская Антропологическая Школа. Труды. Выпуск 3 / Под ред. Вяч. Вс. Иванова. - Москва, РГГУ, 2005. [Russian Anthropological School. Coll. Papers. 3rd issue. Ed. Vyacheslav Ivanov. – Moskau: RSUH University Press, 2005.]

 

‘Eine “‘Physik’ der Macht:” Phasenübergänge und Turbulenz in der Antinomischen Kontroverse, Boston, 1636-38.’ Machträume der Frühneuzeitlichen Stadt. Eds. Christian Hochmuth and Susanne Rau. Konstanz: UVK Verlagsgesellschaft mbH, 2006, 91-110.

 

‘Introduction.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 10-7.

 

‘The Monstrous Body|Politic of Freaks.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 181-97.

 

‘Filmography.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 225-6.

‘(American) Culture and Its Discontents – The Case of F. W. Murnau.’ Brno Studies in English 32 (2006): 113-21.

 

‘The Angel and the Animalculae: Cotton Mather and Inoculation.’ Transatlantic Negotiations. Eds. Christa Buschendorf and Astrid Franke. Heidelberg: Universitätsverlag Winter, 2007, 13-24.

 

‘Introduction: Browning = Kant + Poe + … = Cinema.’ The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 1-18.

 

‘Filmography.’ The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 231-34.

 

‘Nature|Geophilosophy|Machinics|Ecosophy.’ Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 1-22.

 

‘The “Weather of Music:” Sounding Nature in the 20th and 21st Centuries.’ Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 216-32.

 

‘Introduction.’ An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009, 1-22.

 

'The Return of Edgar G. Ulmer.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 3-22.

 

'Ulmer and Cult|ure.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 23-38.

 

‘Necessary Detours.’ The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, xv-xxvii.

 

‘Filmography.’ The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 293-311.

 

‘Leviathan’s Dilemma: Hobbes and Complexity.’ deleuzian events: writing|history. Eds. Hanjo Berressem and Leyla Haferkamp. Berlin: Lit Verlag, 2009, 206-220.

 

‘A “Meteorology of Sound:” Composing Nature in the 20th and 21st Centuries.’ Transcultural Spaces. Eds. Winfried Fluck, Frank Mehring, Stefan Brandt. REAL – Yearbook of Research in English and American Literature, 2010, 247-60.

 

‘Pluribus|Multitudes: A Materialist Approach to the American Body|Politic.’  E pluribus unum or E pluribus plura? Unity and Diversity in American Culture. Eds. Hans-Jürgen Grabbe, David Mauk, Ole Moen. Heidelberg: Universitätsverlag Winter, 2011, 57-76.

 

"cinapses: thinking|film – Film, Philosophy and Neuroscience." Iluminace: The Journal of Film Theory, History, and Aesthetics, Vol. 23, No. 4 (2011): 144-8.

 

‘Introduction.’ The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012, 1-12.

 

‘The “Weather of Music:” Sounding Nature in the Twentieth and Twenty-first Centuries.’ Ed. Bernd Herzogenrath. The Farthest Place. The Music of John Luther Adams. Northeastern University Press, 2012, 219-34.

 

‘Introduction.’ Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012, 1-16.

 

‘A Physical Theory of Heredity|Heredity: The Education of Henry Adams.’ Ed. Bernd Herzogenrath.  Time and History in Deleuze and Serres. Continuum Press, 2012, 173-202.

 

‘Travels in Intermedia[lity]: An Introduction.’ Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 1-14.

 

‘Music for the Jilted Generation: Techno and|as Intermediality.’ Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 111-24.

 

‘On the Lost Highway: An Encounter.’ Films, Graphic Novels and Visuals. Developing Multiliteracies in Foreign Language Education - An Interdisciplinary Approach. Eds. Daniela Elsner, Sissy Helff, Britta Viebrock. Münster: LIT Verlag, 2013, 185-200.
 
     

 

‘Bluebeard.’ Stilepochen des Films: Classical Hollywood. Eds. Elisabeth Bronfen, Norbert Grob. Leipzig: RECLAM Verlag 2013, 273-8.

 

‘W/H/I/T/E.’ Prismatic Ecology. Ecotheory beyond Greens. Ed. Jeffrey Jerome Cohen. Minneapolis and London: University of Minnesota Press, 2014, 1-21.

 

‘Double-Deleuze: “Intelligent Materialism” Goes to the Movies.’ Cinema: Journal of Philosophy and the Moving Image 6 (2014): Special Issue: "Deleuze and Moving Images," 52-72, http://cjpmi.ifl.pt/6-contents

 

‘media|matter: an introduction.’ in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 1-18.

 

‘Matter that Images: Bill Morrison’s Decasia.’ in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 111-37.

 

‘Film and/as Philosophy: An Elective Affinity?’ in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 11-22.

 

‘Strange Topologics: Deleuze Takes a Ride down David Lynch’s Lost Highway’ in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 161-179.

 

‘sonic thinking – an introduction.’ in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 1-22.

 

‘in|human rhythms.’ in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 111-134.

 

Reviews:

 

Bruno Arich-Gerz. Lesen – Beobachten: Modell einer Wirkungsästhetik mit Thomas Pynchon’s Gravity’s Rainbow. Amerikastudien 49:3 (2004): 443-4.

 

Entries in Works of Reference:

‘Ballard, J(ames) G(raham)’ (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.

 

 

 

Translations:

 

(with Stefan Andriopoulos) ‘Science and Sensibility. Physiologische Ästhetik und die Normalisierung von Geschmack.’ (Timothy Lenoir). Die Adresse des Mediums. Eds. S. Andriopoulos, G. Schabacher, E. Schumacher. Köln: Dumont, 2001, 212-35.

‘Derrida and Foucault on Sovereignty.’ (Friedrich Balke). German Law Journal Vol. 6 (2005):1, http://www.germanlawjournal.com/article.php?id=539

 

‘Karloff, Lugosi, Browning and Whale.’ (Edgar G. Ulmer). The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 289-291.

 

Articles in Art Catalogues:

 

‘Wo ist “hier,” wenn “Ich” zur Neigung neigt? Animationen von Almut Determeyer.’ Almut Determeyers Neigung. Ausstellungskatalog, 2005.

 

  

Conferences

Conferences

Panel Organization:

 ‘First and Final Frontiers: Expansion in American Literary and Cultural Productions.’ DGfA Conference Würzburg, 1998.

 ‘Nature and its Discontents from ‘Virgin Land’ to ‘Disney World:’ Reinterpretations of Freud’s Civilization Thesis in the Americas of Yesterday and Today.’ EAAS Biennial Conference Graz, Austria, 2000.

 ‘Science Transfers: Then and Now.’ DGfA Conference Frankfurt/Main, 2005.

 ‘Intermedial Crossings: IMAGE – MUSIC – TEXT.’ DGfA Conference Göttingen, 2006.

 
 

Conference Organization:

 

Discovering Edgar G. Ulmer: European|American Filmmaker. An International Conference. Olomouc, Czech Republic, Sept 13-17, 2006. Speakers included Arianné Ulmer Cipes, Sharon Pucker Rivo, Noah Isenberg, Michael Palm, Stefan Grissemann etc. This conference was supported by the German Research Foundation (DFG), the Czech-German Future Fund, the Goethe Institute Prague, and the Jewish Museum Prague.
www.uni-koeln.de/phil-fak/englisch/.../ulmer/ULMERFEST_ANKUENDIGUNG.pdf

 

media|matter: the materiality of media | matter as medium. International Conference, Goethe Universität Frankfurt, May 31 - June 02, 2012. Speakers included Bill Morrison, Thomas Köner, Lorenz Engell, Walter Seitter, etc. This conference was supported by Freunde & Förderer der Goethe Universität, and the German Research Foundation (DFG). http://mediamatter2012.blogspot.de/




[together with Eva Ehninger] The Legacy of Thoreau. Transcendentalism in American Art and Culture After 1945. International Conference, Bern, Switzerland, Oct 26-27, 2012. This conference was supported by the University of Bern and the John Ernest Foundation.
http://arthist.net/archive/3923

 

sound thinking. International Conference, Goethe Universität Frankfurt, May 30 - June 01, 2013. Speakers included Heiner Goebbels, Jakob Ullmann, Thomas Köner, David Toop, Christoph Cox, etc. This conference was supported by Freunde & Förderer der Goethe Universität.
http://soundthinking2013.blogspot.de/

http://www.fr-online.de/campus/-sound-thinking--klang-denken-im-hoersaal,4491992,22901284.html

 



site|specific: hans poelzig: film|architektur. Goethe Universität Frankfurt am Main, July 04 – 05, 2014. GU100 Project oft he Year, sponsored by Lang & Cie, and Freunde & Förderer der Goethe Universität.
http://sitespecific2014.blogspot.de/

 

 

cinapses: thinking|film. International Workshop, Goethe Universität Frankfurt am Main, November 07 – 08 2014, sponsored by the German Research Foundation (DFG).

 

 

 

 

 

 

 

 

      

Research Projects

Research Projects

(to be updated)