Bernd Herzogenrath is Professor of American Studies at the IEAS since 2010 with a teaching and research focus on media philosophy, film studies, and sound
studies.
Ankündigung meines Projektes '©ovid's metamorphoses' :
ich habe im ersten ‚großen lockdown' im April 2020 ein internationales kunstprojekt konzipiert, und in den darauffolgenden 1,5 jahren mit dem frankfurter klangkünstler lasse-marc riek organisiert und kuratiert, und bin nun auf der suche nach fördermitteln für die publikation
dieses projektes. das projekt hat den namen ‚©ovid's metamorphoses,' und basiert auf der idee der stillen post (siehe projektbeschreibung im anhang). in anlehnung an 'covid-19' haben wir 19 runden gespielt, mit insgesamt 133 internationalen künstler*innen aus den bereichen film, sound,
text, und photographie (also ein multimediales projekt). dies bedeutet, wir haben nun insgesamt 152 kunstwerke, plus in den meisten fällen noch einen kurzen ‚log-buch-text' zu den einzelnen werken.
es sind wirklich renommierte künstler*innen und bekannte namen dabei – aus dem bereich film z.B. bill morrison und vincent moon; aus dem bereich sound der unlängst verstorbene lee ‚scratch' perry, richard reed parry von der band arcade fire, maja s k ratkje, deren neueste komnposition letzte wocheals auftragsarbeit des ensemble modern in der alten oper uraufgeführt wurde; aus dem bereich text die schriftsteller*innen tom mccarthy und christine wunnicke, die philosophinnen jane bennet und rosi braidotti, dann anna tsing (die kürzlich zur ‚zweiteinflussreichsten person in der kunstwelt' nominiert wurde; und im bereich photographie die bekannten künstler michael wesely und tomás saraceno.
und jetzt kommt meine bitte/anfrage – um ein solches projekt zu veröffentlichen, braucht es natürliches einiges an finanzen, bzw finanzieller unterstützung. Das projekt fällt leider m.W. zwischen alle ‚funding-stühle:' es ist nicht wissenschaftlich/akademisch, für förderung vor projektbeginn war es den kulturstuiftungen der länder/des bundes zu international – nach projektende nicht mehr förderungswürdig, da fertige projekte eben nicht gefördert werden,
etc. über eigenes erspartes, großzügige spenden, und eine kleine unterstützung des kulturamtes habe ich bisher ca 10.000€ zusammentragen können – das ist aber knapp die hälfte dessen, was wir zur veröffentlichung benötigen: uns schwebt ein set (auflage ca 250 stück) aus mehreren vinyl-platten, plus mehreren DVDs, plus einem ‚lavishly illustrated' buch vor, welches dann den teilnehmenden künstler*innen als ‚symbolisches honorar' für ihre mitwirkung überreicht werden soll. die ca 100 übrigen sets sollen dann verkauft werden, um etwaige andere kosten (mastering, technische realisierung einer digitalen ausstellung im netz, etc, zu finanzieren). zum einen wäre ich da natürlich äußerst dankbar über direkte finanzielle hilfe – dazu habe ich ein (zugegeben
recht peinliches) schnellschuss-crowdfunding projekt auf die beine gestellt, welches man unter
https://www.startnext.com/covids-metamorphoses
einsehen, und da auch direkt unterstützen kann, wenn man mag (dort ist auch eine komplette liste der teilnehmenden künstler*innen hinterlegt).
An American Body|Politic – A Deleuzian Approach. Dartmouth College Press, 2010.
An Art of Desire. Reading Paul Auster. Amsterdam and Atlanta: Editions Rodopi, 1999.
A Sound Words Almanac. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2023.
The Barrandov Studios: A Central European Hollywood. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2023.
New Perspectives on Academic Writing: The Thing That Wouldn't Die. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
Concepts: A Travelogue. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
Practical Aesthetics. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2021.
The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2018.
sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017.
Film as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017.
media|matter: the materiality of media, matter as medium. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015.
Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.
Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012.
The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012.
The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009.
Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009.
An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.
Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009.
The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008.
The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006.
From Virgin Land to Disney World: Nature and Its Discontents in the USA of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.
with Hanjo Berressem (Eds.): Near Encounters - A Festschrift for Richard Martin. Frankfurt am Main: Peter Lang Publishing, 1995.
Forthcoming:
Spectral Futures. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2025.
Alternative Futures: Art as a Toolkit For Survival. Ed. Bernd Herzogenrath. Bristol: Intellect books, 2025.
(c)ovid's metamorphoses. Concept and Editing: Bernd Herzogenrath. meakusma (Belgium) 2023. https://meakusma.bandcamp.com/album/c-ovids-metamorphoses

film as philosophy
Ed. Bernd Herzogenrath. Univ. of Minnesota Pr. March, 2017.
sonic thinking: thinking media
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, Feb. 2017.

media|matter: the materiality of media,
matter as medium.
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, 2015.
Travels in Intermedia[lity]: ReBlurring the Boundaries.
Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.
Time and History in Deleuze and Serres.
Ed. Bernd Herzogenrath. Continuum Press, 2012.
The Farthest Place. The Music of John Luther Adams.
Ed. Bernd Herzogenrath. Northeastern University Press, 2012.
An American Body|Politic – A Deleuzian Approach.
Dartmouth College Press, 2010.

The Films of Edgar G. Ulmer.
Ed. Bernd Herzogenrath. Lanham, Maryland:
Scarecrow Press, 2009.

Edgar G. Ulmer: Essays on the King of the B's.
Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2009.
An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath.
Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.

Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath.
Houndmills: Palgrave Macmillan, 2009.
The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2008.
The Films of Tod Browning. Ed. Bernd Herzogenrath.
London: Black Dog Publishing, 2006.
From Virgin Land to Disney World:
Nature and Its Discontents in the USA of Yesterday and Today.
Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.

An Art of Desire. Reading Paul Auster.
Amsterdam and Atlanta: Editions Rodopi, 1999.
'Ansteckung,' Stichwörter für die Kritische Praxis. Hrsg. Michel Chaouli, Jan Lietz, Jutta Müller- Tamm, Simon Schleusener. Zürich: diaphanes, 2023, 43-54.
'clang clang (Tintinese),' A Sound Words Almanac. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2023, 23-5.
'Václav Vorlíček: A Dream Within a Dream,' The Barrandov Studios. An Introduction, ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press 2023, 317-38.
'Once Upon a [Central European] Time' (with Kevin Johnson), The Barrandov Studios. An Introduction, ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press 2023, 13-42.
'Wait a Minute: Reflections on [the] Pause,' MLN 137 (2022): 1031–1041, 2023.
'Affective Academic Writing.' New Aspects on Academic Writing: The Thing That Wouldn't Die, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Introduction: The Thing That Wouldn't Die.' New Aspects on Academic Writing: The Thing That Wouldn't Die, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Gestell.' Concepts: A Travelogue, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Introduction.' Concepts: A Travelogue, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Some Notes on Sound Thinking.' Practical Aesthetics. Ed. Bernd Herzogenrath. New York/ London: Bloomsbury, 2021, 117-24.
'Toward a Practical Aesthetics: Thinking With.' Practical Aesthetics. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2021, 1-24.
Interview (Tereza Hadravová): Umění je souměřitelné s filozofií. Rozhovor s Berndem Herzogenrathem. Kino-Ikon 24, 1, 2020, 40-47.
'trumped! remote|control, 2 trojan horses (and 3 knocks).' In: The Coils of the Serpent: Control Societies I: Media, Culture, Technology. Special issue, edited by Florian Cord and Simon Schleusener, Issue 5 (2020): 82-89. https://coilsoftheserpent.org/category/issue-5-2020/
'Rhythmic Style.' in: Eds. Jasmin Herrmann, Moritz Ingwersen, Björn Sonnenberg-Schrank, Olga Tarapata. Revisiting Style in Literary and Cultural Studies. Interdisciplinary Articulations. Transcript: Bielefeld 2020, 141-50.
'Mediers materialitet – stof som medie.' Danish translation of 'media|matter: an introduction', in: Form og medie. Intermedialitet og analysestrategi på tværs af perceptionsmedier, kommunikationsmedier, biomedier og fysiske medier. Niels Åkerstrøm Andersen (red.). Samfunds Litteratur 2019, 67-72, trans. Niels Åkerstrøm Andersen
'The Beetles – Greatest Hits: The Rhythm'n'Sound of Insects.' in: Bestiarium. Eds. Babette Tischleder & Birgit Spengler. Transcript: Bielefeld 2019, 141-50.
'Naked Lunch (1991).' in: Filmische Moderne. 60 Fragmente. Eds. Oliver Fahle, Lisa Gotto et al. Transcript: Bielefeld 2019, 269-76.
'Et in Academia Ego: Affect and Academic Writing.' How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices. Eds. Ernst van Alphen and Tomáš Jirsa. Leiden: Brill, 2019, 216–34.
'Ritmi In|umani', trans. Claudio Kulesko, La Deleuziana 10/2019, Extra Issue 'Rhythm, Chaos and Non-Pulsed Man,' 178-96.
'“This is Some Spooky Shit We Got Here:" Seltsame Topo|Logiken in David Lynch's Lost Highway." in: Film | Architektur. Perspektiven des Kinos auf den Raum. Ed. Johannes Binotto. Bauverlag Birkhäuser: Gütersloh, Berlin, Basel, 2017, 190-206
'Games That Play People: The Strange Case of D. Cronenberg.' in: Clash of Realities 2015/16. Ed. Clash of Realities. Transcript: Bielefeld 2017, 481-88.
'Aesthetics of the Archive. An Introduction.' in: The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2017, 11-30.
'Decasia: The Matter-Image: Film is Also a Thing.' in: The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2017.
'in|human rhythms.' in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 111-134.
'sonic thinking – an introduction.' in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 1-22.
'Strange Topologics: Deleuze Takes a Ride down David Lynch's Lost Highway' in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 161-179.
'Film and/as Philosophy: An Elective Affinity?' in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 11-22.
'Matter that Images: Bill Morrison's Decasia.' in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 111-37.
'media|matter: an introduction.' in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 1-18.
'Double-Deleuze: “Intelligent Materialism" Goes to the Movies.' Cinema: Journal of Philosophy and the Moving Image 6 (2014): Special Issue: "Deleuze and Moving Images," 52-72, http://cjpmi.ifl.pt/6-contents
'W/H/I/T/E.' Prismatic Ecology. Ecotheory beyond Greens. Ed. Jeffrey Jerome Cohen. Minneapolis and London: University of Minnesota Press, 2014, 1-21.
'Bluebeard.' Stilepochen des Films: Classical Hollywood. Eds. Elisabeth Bronfen, Norbert Grob. Leipzig: RECLAM Verlag 2013, 273-8.
'On the Lost Highway: An Encounter.' Films, Graphic Novels and Visuals. Developing Multiliteracies in Foreign Language Education - An Interdisciplinary Approach. Eds. Daniela Elsner, Sissy Helff, Britta Viebrock. Münster: LIT Verlag, 2013, 185-200.
'Music for the Jilted Generation: Techno and|as Intermediality.' Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 111-24.
'Travels in Intermedia[lity]: An Introduction.' Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 1-14.
'A Physical Theory of Heredity|Heredity: The Education of Henry Adams.' Ed. Bernd Herzogenrath. Time and History in Deleuze and Serres. Continuum Press, 2012, 173-202.
'Introduction.' Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012, 1-16.
'The “Weather of Music:" Sounding Nature in the Twentieth and Twenty-first Centuries.' Ed. Bernd Herzogenrath. The Farthest Place. The Music of John Luther Adams. Northeastern University Press, 2012, 219-34.
'Introduction.' The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012, 1-12.
'cinapses: thinking|film – Film, Philosophy and Neuroscience.' Iluminace: The Journal of Film Theory, History, and Aesthetics, Vol. 23, No. 4 (2011): 144-8.
'Pluribus|Multitudes: A Materialist Approach to the American Body|Politic.' E pluribus unum or E pluribus plura? Unity and Diversity in American Culture. Eds. Hans-Jürgen Grabbe, David Mauk, Ole Moen. Heidelberg: Universitätsverlag Winter, 2011, 57-76.
'A “Meteorology of Sound:" Composing Nature in the 20th and 21st Centuries.' Transcultural Spaces. Eds. Winfried Fluck, Frank Mehring, Stefan Brandt. REAL – Yearbook of Research in English and American Literature, 2010, 247-60.
'Leviathan's Dilemma: Hobbes and Complexity.' deleuzian events: writing|history. Eds. Hanjo Berressem and Leyla Haferkamp. Berlin: Lit Verlag, 2009, 206-220.
'Filmography.' The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 293-311.
'Necessary Detours.' The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, xv-xxvii.
'Ulmer and Cult|ure.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 23-38.
'The Return of Edgar G. Ulmer.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 3-22.
'Introduction.' An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009, 1-22.
'The “Weather of Music:" Sounding Nature in the 20th and 21st Centuries.' Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 216-32.
'Nature|Geophilosophy|Machinics|Ecosophy.' Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 1-22.
'Filmography.' The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 231-34.
'Introduction: Browning = Kant + Poe + … = Cinema.' The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 1-18.
'The Angel and the Animalculae: Cotton Mather and Inoculation.' Transatlantic Negotiations. Eds. Christa Buschendorf and Astrid Franke. Heidelberg: Universitätsverlag Winter, 2007, 13-24.
'(American) Culture and Its Discontents – The Case of F. W. Murnau.' Brno Studies in English 32 (2006): 113-21.
'Filmography.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 225-6.
'The Monstrous Body|Politic of Freaks.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 181-97.
'Introduction.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 10-7.
'Eine “'Physik' der Macht:" Phasenübergänge und Turbulenz in der Antinomischen Kontroverse, Boston, 1636-38.' Machträume der Frühneuzeitlichen Stadt. Eds. Christian Hochmuth and Susanne Rau. Konstanz: UVK Verlagsgesellschaft mbH, 2006, 91-110.
'“Шоссе в никуда:" Линч и Лакан, кино и культурная патология.' [Russian Translation of my article: “On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology."] Trans. Cyril Drozdov. Русская Антропологическая Школа. Труды. Выпуск 3 / Под ред. Вяч. Вс. Иванова. - Москва, РГГУ, 2005. [Russian Anthropological School. Coll. Papers. 3rd issue. Ed. Vyacheslav Ivanov. – Moskau: RSUH University Press, 2005.]
'A Tale of Two Generations: The Bravado of Failure in The Great Gatsby and Kurt Cobain.' America: Home of the Brave. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2005, 149-68.
'Let's get Physical. Heidegger's Cyborg and the Vicissitudes of the Machine|Body.' Wrestling Bodies. Gramma 11 (2003): 55-66. [published 2005]
'The (Un)fortunate Traveler and the Text: Bill Manhire's The Brain of Katherine Mansfield.' Towards a Transcultural Future. Literature and Society in a 'Post'-Colonial World. Eds. Geoffrey V. Davis, Peter H. Marsden, Bénédicte Ledent and Marc Delrez. Amsterdam and New York: Editions Rodopi, 2005, 143-54.
'The Grotesque Body of Radical Democracy: Freaks and the Iconography of the Dismembered Body.' Popular Culture and Democracy – An Easy/Uneasy Relationship. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2004, 93-109.
'JOIN, or DIE! The Myth of Wholeness and Visual Strategies of Dismemberment in Early American Political Cartoons.' Colonial Encounters. Essays in Early American History and Culture. Ed. Hans- Jürgen Grabbe. Heidelberg: Universitätsverlag Winter, 2003, 243-62.
'Tod Browning's Freaks and the Fraternity of the Fragmented.' The EmBodyment of American Culture. Eds. Heinz Tschachler, Maureen Devine, Michael Draxlbauer. Münster: LIT Verlag, 2003, 203-15.
'Brundlefly For President. Cronenberg, Kafka, and the Fiction of Insect Politics.' [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 273-90.
'The Prefix Rules: American Psycho and the Poetics of [Mis].' [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 112-30.
'ОСТАНОВИТЬ ПРОИЗВОДСТВО СМЫСЛА: ЕБАТЬ ИХ И ИХ ЗАКОН (Б. Херцогенраф)' Russian Translation of my article 'Stop Making Sense: Fuck 'em and Their Law (... it's only I and 0 but I like it ...)' by Vsevolod http://chaosss.info/xaoc/fuckem.html (2003)
'Adam in the Rear-View Mirror: The Belated Construction of Origins in Cooper's Leatherstocking Tales.' Beyond Philology 2 (2002): 105-19.
'Join the United Mutations: Tod Browning's Freaks.' Post Script: Essays in Film and the Humanities 21:3 (Fall 2002): 8-19.
'God is a DJ: Techno and Mysticism.' Spirituality and Religion in American Culture. Eds. M. Peprnik and M. Sweney. Olomouc: Univerzita Palackého v Olomouci, 2002, 147-63.
'Living on the Edge. In the Country of Last Things.' “As Strange As The World." Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster. Eds. Andreas Lienkamp, Wolfgang Werth, Christian Berkemeier. Hamburg: LIT Verlag, 2002, 63-75.
'Looking Forward/Looking Back: Thomas Cole and the Belated Construction of Nature.' From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 83-104.
'Nature's Nation/Nation's Nature: An Introduction.' From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 1-6.
'The American Adam Revisited. American Literature, (National) Identity, and the Logic of Belatedness.' Critical Essays on the Myth of the American Adam. Eds. Viorica Patea und Mará Eugenia Díaz. Salamanca: Ediciones Universidad de Salamanca, 2001, 65-80.
'The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh.' Enculturation 3.1 (Fall 2000)
'Looking Back at Old Adam: Cultural Identity in/as Retrospect(ion).' ZENAF Conference Proceedings, Volume 1/2000. Frankfurt am Main: Zentrum für Nordamerika-Forschung (ZENAF), 2000, 15-39.
'The Education of Henry Adams: A Physical Theory of Heredity/Heresy.' Organs, Organisms, Organisations. Organic Form in 19th Century Discourse. Literary and Cultural Theory Vol. 6. Eds. T. Rachwal/T. Slawek Frankfurt am Main: Peter Lang Publishing, 2000, 159-68.
'Stop Making Sense: Fuck 'em and Their Law (... it's only I and 0 but I like it ...).' Postmodern Culture 10:2 (Jan 2000). https://muse.jhu.edu/article/27721
'On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.' Other Voices 1:3 (Jan 1999), http://www.othervoices.org/1.3/bh/highway.php
'From the Lost Generation to Generation X: The Great Gatsby vs. Kurt Cobain.' Near Encounters - A Festschrift for Richard Martin. Ed. Hanjo Berressem und Bernd Herzogenrath Frankfurt am Main: Peter Lang Publishing, 1995, 121-40.
'A Possible Source for the Name “Oedipa Maas."' Pynchon Notes 40-41, 107-10.
Entries in Works of Reference:
'Ballard, J(ames) G(raham)' (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.
Articles in Art Catalogues:
'Wo ist “hier," wenn “Ich" zur Neigung neigt? Animationen von Almut Determeyer.' Almut Determeyers Neigung. Ausstellungskatalog, 2005.
Bruno Arich-Gerz. Lesen – Beobachten: Modell einer Wirkungsästhetik mit Thomas Pynchon’s Gravity’s Rainbow. Amerikastudien 49:3 (2004): 443-4.
Entries in Works of Reference:
‘Ballard, J(ames) G(raham)’ (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.
(with
Stefan Andriopoulos) ‘Science and Sensibility. Physiologische
Ästhetik und die Normalisierung von Geschmack.’ (Timothy Lenoir). Die Adresse
des Mediums. Eds. S. Andriopoulos, G. Schabacher, E. Schumacher. Köln:
Dumont, 2001, 212-35.
‘Derrida and Foucault on Sovereignty.’ (Friedrich Balke). German Law Journal Vol. 6 (2005): 1 https://www.cambridge.org/core/journals/german-law-journal/article/derrida-and-foucault-on-sovereignty/1E88A2847D8D4296EA8672C08DCD7C40
‘Karloff, Lugosi, Browning and Whale.’ (Edgar G. Ulmer). The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 289-291.
'First and Final Frontiers: Expansion in American Literary and Cultural Productions.' DGfA Conference Würzburg, 1998.
'Nature and its Discontents from 'Virgin Land' to 'Disney World:' Reinterpretations of Freud's Civilization Thesis in the Americas of Yesterday and Today.' EAAS Biennial Conference Graz, Austria, 2000.
'Science Transfers: Then and Now.' DGfA Conference Frankfurt/Main, 2005.
'Intermedial Crossings: IMAGE – MUSIC – TEXT.' DGfA Conference Göttingen, 2006.
Conference Organization:
cinapses: thinking|film. International Workshop, Goethe Universität Frankfurt am Main, November 07 – 08 2014, sponsored by the German Research Foundation (DFG).
site|specific: hans poelzig: film|architektur.
Goethe Universität Frankfurt am Main, July 04 – 05, 2014. GU100 Project
oft he Year, sponsored by Lang & Cie, and Freunde & Förderer
der Goethe Universität.
http://sitespecific2014.blogspot.de/

sound thinking.
International Conference, Goethe Universität Frankfurt, May 30 - June
01, 2013. Speakers included Heiner Goebbels, Jakob Ullmann, Thomas
Köner, David Toop, Christoph Cox, etc. This conference was supported by
Freunde & Förderer der Goethe Universität.
http://soundthinking2013.blogspot.de/
http://www.fr-online.de/campus/-sound-thinking--klang-denken-im-hoersaal,4491992,22901284.html

[together with Eva
Ehninger] The Legacy of Thoreau. Transcendentalism in American Art and
Culture After 1945. International Conference,
Bern, Switzerland, Oct 26-27, 2012. This conference was supported by the
University of Bern and the John Ernest Foundation.
http://arthist.net/archive/3923
media|matter: the materiality of media | matter as medium.
International Conference, Goethe Universität Frankfurt, May 31 - June
02, 2012. Speakers included Bill Morrison, Thomas Köner, Lorenz Engell,
Walter Seitter, etc. This conference was supported by Freunde &
Förderer der Goethe Universität, and the German Research Foundation (DFG). http://mediamatter2012.blogspot.de/

Discovering Edgar G. Ulmer: European|American Filmmaker. An International Conference.
Olomouc, Czech Republic, Sept 13-17, 2006. Speakers included Arianné
Ulmer Cipes, Sharon Pucker Rivo, Noah Isenberg, Michael Palm, Stefan
Grissemann etc. This conference was supported by the German Research
Foundation (DFG), the Czech-German Future Fund, the Goethe Institute Prague, and the Jewish Museum Prague.
www.uni-koeln.de/phil-fak/englisch/.../ulmer/ULMERFEST_ANKUENDIGUNG.pdf

Awards/ Fellowships
| Sept - Oct 1996 | Research-Grant of the DAAD
German Academic Exchange Service, University of California,
Berkeley |
| Sept - Oct 2003 | Christoph-Daniel-Ebeling Fellow, American Antiquarian Society, Worcester, Massachusetts, Grant awarded by the AAS and the German Association for American Studies (DGfA) |
| June 2013 | 1822-University Excellence in Teaching Award |
Sept 2017 -Sept 2020 | Supervisor in the GK 'Configurations of Film' (DFG) |
Oct
2017 - | Senior Research Fellow at the IKKM Weimar |
Nov 2019 - | Research Fellow MAMU – International Mobility of Researchers at FAMU |
| Since Jan 2021 | Member of the International Research
Group “The Digital Videoessay as Research and
Teaching. Methods, Technology, Epistemology" (Johannes Binotto/Elisabeth
Bronfen, University of Zurich, Switzerland) |
| Since Jan 2024 | Member/Advisor
of the ERC HORIZON Project FILM AND DEATH – Film-Philosophy as a Meditation on
Death at IFILNOVA, FCSH – Universidade NOVA de Lisboa (Lissabon, Portugal) |
| Sept 2024 | Honorary Medal/Award for Service of Excellence, Palacký University Olomouc, Czech Republic |
Editorial Boards
Other Voices – University of Pennsylvania (Guest Editor, 1999)
Ars Aeterna – Constantine
the Philosopher University Press, Slovakia (Guest
Editor, since 2009)
Moravian Journal of Literature and Film - Palacký University Press, Czech Republic (Guest Editor, since 2009)
book
series New Politics of Autonomy
– Rowman & Littlefield International (editorial board, since 2014)
book
series thinking|media – Bloomsbury
(main editor, together with Patricia Pisters, since 2014)
book series alternative
education – Bloomsbury (main editor, together
with Tim Ingold,
since 2019)
book series
Rethinking Education – Routledge (main editor, together
with Tim Ingold,
since 2020)
book series Exeter Concepts in Media Thinking – University of Exeter Press (main editor together with
Tomáš Dvořák, since 2024)
book series film|minutes – Lever Press (sole editor, since 2024)
Bernd Herzogenrath is Professor of American Studies at the IEAS since 2010 with a teaching and research focus on media philosophy, film studies, and sound
studies.
Ankündigung meines Projektes '©ovid's metamorphoses' :
ich habe im ersten ‚großen lockdown' im April 2020 ein internationales kunstprojekt konzipiert, und in den darauffolgenden 1,5 jahren mit dem frankfurter klangkünstler lasse-marc riek organisiert und kuratiert, und bin nun auf der suche nach fördermitteln für die publikation
dieses projektes. das projekt hat den namen ‚©ovid's metamorphoses,' und basiert auf der idee der stillen post (siehe projektbeschreibung im anhang). in anlehnung an 'covid-19' haben wir 19 runden gespielt, mit insgesamt 133 internationalen künstler*innen aus den bereichen film, sound,
text, und photographie (also ein multimediales projekt). dies bedeutet, wir haben nun insgesamt 152 kunstwerke, plus in den meisten fällen noch einen kurzen ‚log-buch-text' zu den einzelnen werken.
es sind wirklich renommierte künstler*innen und bekannte namen dabei – aus dem bereich film z.B. bill morrison und vincent moon; aus dem bereich sound der unlängst verstorbene lee ‚scratch' perry, richard reed parry von der band arcade fire, maja s k ratkje, deren neueste komnposition letzte wocheals auftragsarbeit des ensemble modern in der alten oper uraufgeführt wurde; aus dem bereich text die schriftsteller*innen tom mccarthy und christine wunnicke, die philosophinnen jane bennet und rosi braidotti, dann anna tsing (die kürzlich zur ‚zweiteinflussreichsten person in der kunstwelt' nominiert wurde; und im bereich photographie die bekannten künstler michael wesely und tomás saraceno.
und jetzt kommt meine bitte/anfrage – um ein solches projekt zu veröffentlichen, braucht es natürliches einiges an finanzen, bzw finanzieller unterstützung. Das projekt fällt leider m.W. zwischen alle ‚funding-stühle:' es ist nicht wissenschaftlich/akademisch, für förderung vor projektbeginn war es den kulturstuiftungen der länder/des bundes zu international – nach projektende nicht mehr förderungswürdig, da fertige projekte eben nicht gefördert werden,
etc. über eigenes erspartes, großzügige spenden, und eine kleine unterstützung des kulturamtes habe ich bisher ca 10.000€ zusammentragen können – das ist aber knapp die hälfte dessen, was wir zur veröffentlichung benötigen: uns schwebt ein set (auflage ca 250 stück) aus mehreren vinyl-platten, plus mehreren DVDs, plus einem ‚lavishly illustrated' buch vor, welches dann den teilnehmenden künstler*innen als ‚symbolisches honorar' für ihre mitwirkung überreicht werden soll. die ca 100 übrigen sets sollen dann verkauft werden, um etwaige andere kosten (mastering, technische realisierung einer digitalen ausstellung im netz, etc, zu finanzieren). zum einen wäre ich da natürlich äußerst dankbar über direkte finanzielle hilfe – dazu habe ich ein (zugegeben
recht peinliches) schnellschuss-crowdfunding projekt auf die beine gestellt, welches man unter
https://www.startnext.com/covids-metamorphoses
einsehen, und da auch direkt unterstützen kann, wenn man mag (dort ist auch eine komplette liste der teilnehmenden künstler*innen hinterlegt).
An American Body|Politic – A Deleuzian Approach. Dartmouth College Press, 2010.
An Art of Desire. Reading Paul Auster. Amsterdam and Atlanta: Editions Rodopi, 1999.
A Sound Words Almanac. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2023.
The Barrandov Studios: A Central European Hollywood. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2023.
New Perspectives on Academic Writing: The Thing That Wouldn't Die. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
Concepts: A Travelogue. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
Practical Aesthetics. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2021.
The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2018.
sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017.
Film as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017.
media|matter: the materiality of media, matter as medium. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015.
Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.
Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012.
The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012.
The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009.
Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009.
An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.
Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009.
The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008.
The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006.
From Virgin Land to Disney World: Nature and Its Discontents in the USA of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.
with Hanjo Berressem (Eds.): Near Encounters - A Festschrift for Richard Martin. Frankfurt am Main: Peter Lang Publishing, 1995.
Forthcoming:
Spectral Futures. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2025.
Alternative Futures: Art as a Toolkit For Survival. Ed. Bernd Herzogenrath. Bristol: Intellect books, 2025.
(c)ovid's metamorphoses. Concept and Editing: Bernd Herzogenrath. meakusma (Belgium) 2023. https://meakusma.bandcamp.com/album/c-ovids-metamorphoses

film as philosophy
Ed. Bernd Herzogenrath. Univ. of Minnesota Pr. March, 2017.
sonic thinking: thinking media
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, Feb. 2017.

media|matter: the materiality of media,
matter as medium.
Ed. Bernd Herzogenrath.
New York/London: Bloomsbury, 2015.
Travels in Intermedia[lity]: ReBlurring the Boundaries.
Ed. Bernd Herzogenrath. Dartmouth College Press, 2012.
Time and History in Deleuze and Serres.
Ed. Bernd Herzogenrath. Continuum Press, 2012.
The Farthest Place. The Music of John Luther Adams.
Ed. Bernd Herzogenrath. Northeastern University Press, 2012.
An American Body|Politic – A Deleuzian Approach.
Dartmouth College Press, 2010.

The Films of Edgar G. Ulmer.
Ed. Bernd Herzogenrath. Lanham, Maryland:
Scarecrow Press, 2009.

Edgar G. Ulmer: Essays on the King of the B's.
Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2009.
An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath.
Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009.

Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath.
Houndmills: Palgrave Macmillan, 2009.
The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson,
N.C.: McFarland, 2008.
The Films of Tod Browning. Ed. Bernd Herzogenrath.
London: Black Dog Publishing, 2006.
From Virgin Land to Disney World:
Nature and Its Discontents in the USA of Yesterday and Today.
Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001.

An Art of Desire. Reading Paul Auster.
Amsterdam and Atlanta: Editions Rodopi, 1999.
'Ansteckung,' Stichwörter für die Kritische Praxis. Hrsg. Michel Chaouli, Jan Lietz, Jutta Müller- Tamm, Simon Schleusener. Zürich: diaphanes, 2023, 43-54.
'clang clang (Tintinese),' A Sound Words Almanac. Ed. Bernd Herzogenrath. New York/London: Bloomsbury 2023, 23-5.
'Václav Vorlíček: A Dream Within a Dream,' The Barrandov Studios. An Introduction, ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press 2023, 317-38.
'Once Upon a [Central European] Time' (with Kevin Johnson), The Barrandov Studios. An Introduction, ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press 2023, 13-42.
'Wait a Minute: Reflections on [the] Pause,' MLN 137 (2022): 1031–1041, 2023.
'Affective Academic Writing.' New Aspects on Academic Writing: The Thing That Wouldn't Die, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Introduction: The Thing That Wouldn't Die.' New Aspects on Academic Writing: The Thing That Wouldn't Die, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Gestell.' Concepts: A Travelogue, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Introduction.' Concepts: A Travelogue, ed. Bernd Herzogenrath. New York/London: Bloomsbury 2022.
'Some Notes on Sound Thinking.' Practical Aesthetics. Ed. Bernd Herzogenrath. New York/ London: Bloomsbury, 2021, 117-24.
'Toward a Practical Aesthetics: Thinking With.' Practical Aesthetics. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2021, 1-24.
Interview (Tereza Hadravová): Umění je souměřitelné s filozofií. Rozhovor s Berndem Herzogenrathem. Kino-Ikon 24, 1, 2020, 40-47.
'trumped! remote|control, 2 trojan horses (and 3 knocks).' In: The Coils of the Serpent: Control Societies I: Media, Culture, Technology. Special issue, edited by Florian Cord and Simon Schleusener, Issue 5 (2020): 82-89. https://coilsoftheserpent.org/category/issue-5-2020/
'Rhythmic Style.' in: Eds. Jasmin Herrmann, Moritz Ingwersen, Björn Sonnenberg-Schrank, Olga Tarapata. Revisiting Style in Literary and Cultural Studies. Interdisciplinary Articulations. Transcript: Bielefeld 2020, 141-50.
'Mediers materialitet – stof som medie.' Danish translation of 'media|matter: an introduction', in: Form og medie. Intermedialitet og analysestrategi på tværs af perceptionsmedier, kommunikationsmedier, biomedier og fysiske medier. Niels Åkerstrøm Andersen (red.). Samfunds Litteratur 2019, 67-72, trans. Niels Åkerstrøm Andersen
'The Beetles – Greatest Hits: The Rhythm'n'Sound of Insects.' in: Bestiarium. Eds. Babette Tischleder & Birgit Spengler. Transcript: Bielefeld 2019, 141-50.
'Naked Lunch (1991).' in: Filmische Moderne. 60 Fragmente. Eds. Oliver Fahle, Lisa Gotto et al. Transcript: Bielefeld 2019, 269-76.
'Et in Academia Ego: Affect and Academic Writing.' How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices. Eds. Ernst van Alphen and Tomáš Jirsa. Leiden: Brill, 2019, 216–34.
'Ritmi In|umani', trans. Claudio Kulesko, La Deleuziana 10/2019, Extra Issue 'Rhythm, Chaos and Non-Pulsed Man,' 178-96.
'“This is Some Spooky Shit We Got Here:" Seltsame Topo|Logiken in David Lynch's Lost Highway." in: Film | Architektur. Perspektiven des Kinos auf den Raum. Ed. Johannes Binotto. Bauverlag Birkhäuser: Gütersloh, Berlin, Basel, 2017, 190-206
'Games That Play People: The Strange Case of D. Cronenberg.' in: Clash of Realities 2015/16. Ed. Clash of Realities. Transcript: Bielefeld 2017, 481-88.
'Aesthetics of the Archive. An Introduction.' in: The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2017, 11-30.
'Decasia: The Matter-Image: Film is Also a Thing.' in: The Films of Bill Morrison. Aesthetics of the Archive. Ed. Bernd Herzogenrath. Amsterdam: Amsterdam University Press, 2017.
'in|human rhythms.' in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 111-134.
'sonic thinking – an introduction.' in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 1-22.
'Strange Topologics: Deleuze Takes a Ride down David Lynch's Lost Highway' in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 161-179.
'Film and/as Philosophy: An Elective Affinity?' in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 11-22.
'Matter that Images: Bill Morrison's Decasia.' in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 111-37.
'media|matter: an introduction.' in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 1-18.
'Double-Deleuze: “Intelligent Materialism" Goes to the Movies.' Cinema: Journal of Philosophy and the Moving Image 6 (2014): Special Issue: "Deleuze and Moving Images," 52-72, http://cjpmi.ifl.pt/6-contents
'W/H/I/T/E.' Prismatic Ecology. Ecotheory beyond Greens. Ed. Jeffrey Jerome Cohen. Minneapolis and London: University of Minnesota Press, 2014, 1-21.
'Bluebeard.' Stilepochen des Films: Classical Hollywood. Eds. Elisabeth Bronfen, Norbert Grob. Leipzig: RECLAM Verlag 2013, 273-8.
'On the Lost Highway: An Encounter.' Films, Graphic Novels and Visuals. Developing Multiliteracies in Foreign Language Education - An Interdisciplinary Approach. Eds. Daniela Elsner, Sissy Helff, Britta Viebrock. Münster: LIT Verlag, 2013, 185-200.
'Music for the Jilted Generation: Techno and|as Intermediality.' Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 111-24.
'Travels in Intermedia[lity]: An Introduction.' Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 1-14.
'A Physical Theory of Heredity|Heredity: The Education of Henry Adams.' Ed. Bernd Herzogenrath. Time and History in Deleuze and Serres. Continuum Press, 2012, 173-202.
'Introduction.' Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012, 1-16.
'The “Weather of Music:" Sounding Nature in the Twentieth and Twenty-first Centuries.' Ed. Bernd Herzogenrath. The Farthest Place. The Music of John Luther Adams. Northeastern University Press, 2012, 219-34.
'Introduction.' The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012, 1-12.
'cinapses: thinking|film – Film, Philosophy and Neuroscience.' Iluminace: The Journal of Film Theory, History, and Aesthetics, Vol. 23, No. 4 (2011): 144-8.
'Pluribus|Multitudes: A Materialist Approach to the American Body|Politic.' E pluribus unum or E pluribus plura? Unity and Diversity in American Culture. Eds. Hans-Jürgen Grabbe, David Mauk, Ole Moen. Heidelberg: Universitätsverlag Winter, 2011, 57-76.
'A “Meteorology of Sound:" Composing Nature in the 20th and 21st Centuries.' Transcultural Spaces. Eds. Winfried Fluck, Frank Mehring, Stefan Brandt. REAL – Yearbook of Research in English and American Literature, 2010, 247-60.
'Leviathan's Dilemma: Hobbes and Complexity.' deleuzian events: writing|history. Eds. Hanjo Berressem and Leyla Haferkamp. Berlin: Lit Verlag, 2009, 206-220.
'Filmography.' The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 293-311.
'Necessary Detours.' The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, xv-xxvii.
'Ulmer and Cult|ure.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 23-38.
'The Return of Edgar G. Ulmer.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 3-22.
'Introduction.' An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009, 1-22.
'The “Weather of Music:" Sounding Nature in the 20th and 21st Centuries.' Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 216-32.
'Nature|Geophilosophy|Machinics|Ecosophy.' Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 1-22.
'Filmography.' The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 231-34.
'Introduction: Browning = Kant + Poe + … = Cinema.' The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 1-18.
'The Angel and the Animalculae: Cotton Mather and Inoculation.' Transatlantic Negotiations. Eds. Christa Buschendorf and Astrid Franke. Heidelberg: Universitätsverlag Winter, 2007, 13-24.
'(American) Culture and Its Discontents – The Case of F. W. Murnau.' Brno Studies in English 32 (2006): 113-21.
'Filmography.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 225-6.
'The Monstrous Body|Politic of Freaks.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 181-97.
'Introduction.' The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 10-7.
'Eine “'Physik' der Macht:" Phasenübergänge und Turbulenz in der Antinomischen Kontroverse, Boston, 1636-38.' Machträume der Frühneuzeitlichen Stadt. Eds. Christian Hochmuth and Susanne Rau. Konstanz: UVK Verlagsgesellschaft mbH, 2006, 91-110.
'“Шоссе в никуда:" Линч и Лакан, кино и культурная патология.' [Russian Translation of my article: “On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology."] Trans. Cyril Drozdov. Русская Антропологическая Школа. Труды. Выпуск 3 / Под ред. Вяч. Вс. Иванова. - Москва, РГГУ, 2005. [Russian Anthropological School. Coll. Papers. 3rd issue. Ed. Vyacheslav Ivanov. – Moskau: RSUH University Press, 2005.]
'A Tale of Two Generations: The Bravado of Failure in The Great Gatsby and Kurt Cobain.' America: Home of the Brave. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2005, 149-68.
'Let's get Physical. Heidegger's Cyborg and the Vicissitudes of the Machine|Body.' Wrestling Bodies. Gramma 11 (2003): 55-66. [published 2005]
'The (Un)fortunate Traveler and the Text: Bill Manhire's The Brain of Katherine Mansfield.' Towards a Transcultural Future. Literature and Society in a 'Post'-Colonial World. Eds. Geoffrey V. Davis, Peter H. Marsden, Bénédicte Ledent and Marc Delrez. Amsterdam and New York: Editions Rodopi, 2005, 143-54.
'The Grotesque Body of Radical Democracy: Freaks and the Iconography of the Dismembered Body.' Popular Culture and Democracy – An Easy/Uneasy Relationship. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2004, 93-109.
'JOIN, or DIE! The Myth of Wholeness and Visual Strategies of Dismemberment in Early American Political Cartoons.' Colonial Encounters. Essays in Early American History and Culture. Ed. Hans- Jürgen Grabbe. Heidelberg: Universitätsverlag Winter, 2003, 243-62.
'Tod Browning's Freaks and the Fraternity of the Fragmented.' The EmBodyment of American Culture. Eds. Heinz Tschachler, Maureen Devine, Michael Draxlbauer. Münster: LIT Verlag, 2003, 203-15.
'Brundlefly For President. Cronenberg, Kafka, and the Fiction of Insect Politics.' [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 273-90.
'The Prefix Rules: American Psycho and the Poetics of [Mis].' [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 112-30.
'ОСТАНОВИТЬ ПРОИЗВОДСТВО СМЫСЛА: ЕБАТЬ ИХ И ИХ ЗАКОН (Б. Херцогенраф)' Russian Translation of my article 'Stop Making Sense: Fuck 'em and Their Law (... it's only I and 0 but I like it ...)' by Vsevolod http://chaosss.info/xaoc/fuckem.html (2003)
'Adam in the Rear-View Mirror: The Belated Construction of Origins in Cooper's Leatherstocking Tales.' Beyond Philology 2 (2002): 105-19.
'Join the United Mutations: Tod Browning's Freaks.' Post Script: Essays in Film and the Humanities 21:3 (Fall 2002): 8-19.
'God is a DJ: Techno and Mysticism.' Spirituality and Religion in American Culture. Eds. M. Peprnik and M. Sweney. Olomouc: Univerzita Palackého v Olomouci, 2002, 147-63.
'Living on the Edge. In the Country of Last Things.' “As Strange As The World." Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster. Eds. Andreas Lienkamp, Wolfgang Werth, Christian Berkemeier. Hamburg: LIT Verlag, 2002, 63-75.
'Looking Forward/Looking Back: Thomas Cole and the Belated Construction of Nature.' From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 83-104.
'Nature's Nation/Nation's Nature: An Introduction.' From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 1-6.
'The American Adam Revisited. American Literature, (National) Identity, and the Logic of Belatedness.' Critical Essays on the Myth of the American Adam. Eds. Viorica Patea und Mará Eugenia Díaz. Salamanca: Ediciones Universidad de Salamanca, 2001, 65-80.
'The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh.' Enculturation 3.1 (Fall 2000)
'Looking Back at Old Adam: Cultural Identity in/as Retrospect(ion).' ZENAF Conference Proceedings, Volume 1/2000. Frankfurt am Main: Zentrum für Nordamerika-Forschung (ZENAF), 2000, 15-39.
'The Education of Henry Adams: A Physical Theory of Heredity/Heresy.' Organs, Organisms, Organisations. Organic Form in 19th Century Discourse. Literary and Cultural Theory Vol. 6. Eds. T. Rachwal/T. Slawek Frankfurt am Main: Peter Lang Publishing, 2000, 159-68.
'Stop Making Sense: Fuck 'em and Their Law (... it's only I and 0 but I like it ...).' Postmodern Culture 10:2 (Jan 2000). https://muse.jhu.edu/article/27721
'On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.' Other Voices 1:3 (Jan 1999), http://www.othervoices.org/1.3/bh/highway.php
'From the Lost Generation to Generation X: The Great Gatsby vs. Kurt Cobain.' Near Encounters - A Festschrift for Richard Martin. Ed. Hanjo Berressem und Bernd Herzogenrath Frankfurt am Main: Peter Lang Publishing, 1995, 121-40.
'A Possible Source for the Name “Oedipa Maas."' Pynchon Notes 40-41, 107-10.
Entries in Works of Reference:
'Ballard, J(ames) G(raham)' (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.
Articles in Art Catalogues:
'Wo ist “hier," wenn “Ich" zur Neigung neigt? Animationen von Almut Determeyer.' Almut Determeyers Neigung. Ausstellungskatalog, 2005.
Bruno Arich-Gerz. Lesen – Beobachten: Modell einer Wirkungsästhetik mit Thomas Pynchon’s Gravity’s Rainbow. Amerikastudien 49:3 (2004): 443-4.
Entries in Works of Reference:
‘Ballard, J(ames) G(raham)’ (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.
(with
Stefan Andriopoulos) ‘Science and Sensibility. Physiologische
Ästhetik und die Normalisierung von Geschmack.’ (Timothy Lenoir). Die Adresse
des Mediums. Eds. S. Andriopoulos, G. Schabacher, E. Schumacher. Köln:
Dumont, 2001, 212-35.
‘Derrida and Foucault on Sovereignty.’ (Friedrich Balke). German Law Journal Vol. 6 (2005): 1 https://www.cambridge.org/core/journals/german-law-journal/article/derrida-and-foucault-on-sovereignty/1E88A2847D8D4296EA8672C08DCD7C40
‘Karloff, Lugosi, Browning and Whale.’ (Edgar G. Ulmer). The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 289-291.
'First and Final Frontiers: Expansion in American Literary and Cultural Productions.' DGfA Conference Würzburg, 1998.
'Nature and its Discontents from 'Virgin Land' to 'Disney World:' Reinterpretations of Freud's Civilization Thesis in the Americas of Yesterday and Today.' EAAS Biennial Conference Graz, Austria, 2000.
'Science Transfers: Then and Now.' DGfA Conference Frankfurt/Main, 2005.
'Intermedial Crossings: IMAGE – MUSIC – TEXT.' DGfA Conference Göttingen, 2006.
Conference Organization:
cinapses: thinking|film. International Workshop, Goethe Universität Frankfurt am Main, November 07 – 08 2014, sponsored by the German Research Foundation (DFG).
site|specific: hans poelzig: film|architektur.
Goethe Universität Frankfurt am Main, July 04 – 05, 2014. GU100 Project
oft he Year, sponsored by Lang & Cie, and Freunde & Förderer
der Goethe Universität.
http://sitespecific2014.blogspot.de/

sound thinking.
International Conference, Goethe Universität Frankfurt, May 30 - June
01, 2013. Speakers included Heiner Goebbels, Jakob Ullmann, Thomas
Köner, David Toop, Christoph Cox, etc. This conference was supported by
Freunde & Förderer der Goethe Universität.
http://soundthinking2013.blogspot.de/
http://www.fr-online.de/campus/-sound-thinking--klang-denken-im-hoersaal,4491992,22901284.html

[together with Eva
Ehninger] The Legacy of Thoreau. Transcendentalism in American Art and
Culture After 1945. International Conference,
Bern, Switzerland, Oct 26-27, 2012. This conference was supported by the
University of Bern and the John Ernest Foundation.
http://arthist.net/archive/3923
media|matter: the materiality of media | matter as medium.
International Conference, Goethe Universität Frankfurt, May 31 - June
02, 2012. Speakers included Bill Morrison, Thomas Köner, Lorenz Engell,
Walter Seitter, etc. This conference was supported by Freunde &
Förderer der Goethe Universität, and the German Research Foundation (DFG). http://mediamatter2012.blogspot.de/

Discovering Edgar G. Ulmer: European|American Filmmaker. An International Conference.
Olomouc, Czech Republic, Sept 13-17, 2006. Speakers included Arianné
Ulmer Cipes, Sharon Pucker Rivo, Noah Isenberg, Michael Palm, Stefan
Grissemann etc. This conference was supported by the German Research
Foundation (DFG), the Czech-German Future Fund, the Goethe Institute Prague, and the Jewish Museum Prague.
www.uni-koeln.de/phil-fak/englisch/.../ulmer/ULMERFEST_ANKUENDIGUNG.pdf

Awards/ Fellowships
| Sept - Oct 1996 | Research-Grant of the DAAD
German Academic Exchange Service, University of California,
Berkeley |
| Sept - Oct 2003 | Christoph-Daniel-Ebeling Fellow, American Antiquarian Society, Worcester, Massachusetts, Grant awarded by the AAS and the German Association for American Studies (DGfA) |
| June 2013 | 1822-University Excellence in Teaching Award |
Sept 2017 -Sept 2020 | Supervisor in the GK 'Configurations of Film' (DFG) |
Oct
2017 - | Senior Research Fellow at the IKKM Weimar |
Nov 2019 - | Research Fellow MAMU – International Mobility of Researchers at FAMU |
| Since Jan 2021 | Member of the International Research
Group “The Digital Videoessay as Research and
Teaching. Methods, Technology, Epistemology" (Johannes Binotto/Elisabeth
Bronfen, University of Zurich, Switzerland) |
| Since Jan 2024 | Member/Advisor
of the ERC HORIZON Project FILM AND DEATH – Film-Philosophy as a Meditation on
Death at IFILNOVA, FCSH – Universidade NOVA de Lisboa (Lissabon, Portugal) |
| Sept 2024 | Honorary Medal/Award for Service of Excellence, Palacký University Olomouc, Czech Republic |
Editorial Boards
Other Voices – University of Pennsylvania (Guest Editor, 1999)
Ars Aeterna – Constantine
the Philosopher University Press, Slovakia (Guest
Editor, since 2009)
Moravian Journal of Literature and Film - Palacký University Press, Czech Republic (Guest Editor, since 2009)
book
series New Politics of Autonomy
– Rowman & Littlefield International (editorial board, since 2014)
book
series thinking|media – Bloomsbury
(main editor, together with Patricia Pisters, since 2014)
book series alternative
education – Bloomsbury (main editor, together
with Tim Ingold,
since 2019)
book series
Rethinking Education – Routledge (main editor, together
with Tim Ingold,
since 2020)
book series Exeter Concepts in Media Thinking – University of Exeter Press (main editor together with
Tomáš Dvořák, since 2024)
book series film|minutes – Lever Press (sole editor, since 2024)