- BA English Studies (HF/ NF)
- BA American Studies (HF/ NF)
- Teaching degree English
(L1/ L2/ L3/ L5)
- MA Anglophone Literature, Culture and Media
- MA American Studies
- MA Moving Cultures
Further info concerning the application process can be found here.
Teaching English (L1/ L2/ L3/ L5)
Incoming international students can find useful information on the Global Office's website.
TEFL
Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln.
Anmeldung:
Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).
Ort:
Campus Westend, IG Farben Gebäude
Bildquelle: freepik.com
Chaincourt Theatre
Chaincourt Theater - Winter semester 2025/26 production
Wealth, Power, Success, and Survival
The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry
Glen Ross
How
far should one go to attain wealth and success?
Which values can be compromised in this pursuit? What measures can one take in a cut-throat
competitive, materially obsessed world?
Are these goals only to be obtained through a ruthlessly single-minded
attitude? These are some of the
questions playwright David Mamet confronts us with in Glengarry Glen Ross.
In
his play, four real-estate agents find themselves thrown into a fight for
survival over the course of one week by the owners of the agency in an attempt
to increase profits. The agent with the
most sales wins a Cadillac El Dorado; the one with the second most sales wins a
set of steak knives. The last two are
fired. The agents respond with a mix of
ambition, desperation, and morally questionable actions to keep their
jobs. In this way, David Mamet presents
us with an all-too-familiar contemporary working world and challenges us to
examine its existential value.
Born
in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and
director. His play, Glengarry Glen
Ross won the Pulitzer Prize in 1984.
Mamet’s dialogue has been referred to as “Mametspeak”, a style of
script-writing which influences television and screenwriters to this day.
The Chaincourt Theatre Company is made up of students from various
faculties, alumni, and staff. It has
produced under this name since the mid-1990’s.
Before that, it went by IEAS Theatre.
Performances: Opening night on
January 30th 2026; additional performances on January 31st
as well as on February 5th, 6th, and 7th
(closing night). Curtain is at 7:30 p.m.
Tickets: 10€ (general admission) and 5€
(reduced); tickets are only available at the box office one hour before curtain
(6:30 p.m.); no advance ticket sales.
Location:
Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741
Contact: James Fisk (Artistic Director);
fisk@em.uni-frankfurt.de
American Studies
Room: IG 254
NELK
Room: Cas 1.812
NELK
CAS 823
American Studies
Room: IG 254
American Studies
IG 254
American Studies
Room: IG 254
American Studies
IG 254
English Studies
31 October – 1 November 2025 | Goethe University Frankfurt
English Studies
We welcome Dr Simon Smith as a visiting fellow in the Department of English Studies.
Simon Smith, FSA, is Associate Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham. His research focuses on early modern theatre, music and sensory culture.
https://www.birmingham.ac.uk/staff/profiles/shakespeare/smith-simon
NELK
Room: Cas 1.812
NELK
CAS 823
NELK
Room: Cas 1.812
NELK
HZ 8
Linguistics
The following course has been added to the IEAS course program. Registration is still open for it.
Linguistics and science communication: Sharing linguistic research with the world
Instructor: Manfred
Sailer
Monday, 12.15-13.45, starting 4.11.2024
Room: IG 3.201
Modules:
Course description
There is a growing
interest in and a growing need for accessible and available presentation of
scientific research and insights. According
to linguistic-TikToker Simon Meier-Vieracker (Dresden), linguistics is in an
ideal situation for science communication: (i) Everyone uses
language and has some opinion on language and language use. This makes it easy
for most people to relate to linguistic topics. (ii) There are many freely
accessible tools and resources that make it possible to put interesting content
together quite easily, and to empower the
audience to start their own linguistic exploration.
The aim of this class
is to produce material for various science communication scenarios (such as
short videos for platforms like
youtube, material for projects in a secondary school classroom, or material for
information talks addressing adults).
In the course, participants will get some theoretical background on science communication. We will evaluate existing science communication material and initiatives on linguistic topics – including TED talks, Science Slam contributions, popular science books and others. We will identify possible science communication settings, as well as topics on which the course praticipants have some background from previous linguistics courses or that seem to be of interest for the intended target group.
In addition to the regular weekly meetings of the whole course from November 4 on, groups are expected to have individual meetings with the instructor to discuss their projects.
Course reading
among others:
Wagner, Laura & Cecile McKee. 2023. How to talk language science with
everybody. Cambridge: Cambridge University Press.
(Available
electronically at the UB)
Prerequisites
Introduction to Linguistics
To register, write an
e-mail message to Manfred Sailer
(sailer@em.uni-frankfurt.de) and enroll in the course’s OLAT class and its
learning group:
https://olat-ce.server.uni-frankfurt.de/olat/auth/RepositoryEntry/22786834434
The password for the Olat course is: Sailer-WiSe2425
Leistungsnachweis
Assignments, in-class presentation, term paper
Linguistics
About
My academic journey
started with a bachelor's degree in English
Studies and Romance Studies at Goethe-University Frankfurt, where I
specialized in English and French linguistics. To expand and deepen my
knowledge in theoretical linguistics, I continued my studies at
Goethe-University Frankfurt with a master's degree in Linguistics.
Having previously worked as a student assistant and tutor in the
linguistics department of the IEAS, I am excited to return as a PhD
student.
Interests
I am interested in
different phenomena at the
syntax-semantics-pragmatics interface, especially from an empirical
and contrastive perspective. For example, in my master's thesis, I
investigated the interaction between information structure and word order
variation in the German middle field using corpus and
experimental methods. As a member of Project B01
within the SFB
„NegLab,“ I will be carrying out corpus and experimental studies on
negation and quantification in German.
Linguistics
In order to promote a discussion between formal and constructional approaches to grammar, Nurit Melnik & Manfred Sailer edited a special issue of the Journal of Language Modelling devoted to “Constructional approaches in formal grammar”.
The issue consists of a brief introduction and three papers – by Jamie Findlay, Frank van Eynde, and Nurit Melnik. In the introduction, Nurit & Manfred identify three key ways of understanding “constructional” and they show how each of the contributions in the issue relates to these.
Links
Linguistics
The proceedings of this year’s HPSG conference are now available! The volume includes a contribution by Manfred Sailer & Nicolas Lamoure on “Superlative ever in Dutch, French, German, and Spanish.”
The paper examines borrowed instances of emphatic superlative ever (ES-ever) into two Germanic languages (Dutch and German) and two Romance languages (French and Spanish). Manfred & Nicolas extracted naturally occurring instances of ES-ever and modeled the data in three stages:
In their formalization, they extend the HPSG approach to social meaning taken in Asadpour et al. 2022 to borrowing.
Manfred & Nicolas had presented part of this work earlier in a more informal way at the workshop on “Coexistence, Competion, and Change” at DGfS 2023. This work is also related to the initiative on the Dynamics of Asymmetric Language Contact (DALC).
References
Asadpour, Hiwa, Shene
Hassan & Manfred Sailer. 2022. Non-wh relatives in English and
Kurdish: Constraints on grammar and use. In Stefan Müller & Elodie Winckel
(eds.), Proceedings of the 29th International Conference on Head-Driven
Phrase Structure Grammar, Online (Nagoya/Tokyo), 6–26. Frankfurt/Main: Uni-
versity Library. (doi:10.21248/hpsg.2022.1)
Sailer, Manfred & Lamoure, Nicolas. 2023. Superlative ever in Dutch,
French, German, and Spanish. In Stefan Müller & Elodie Winckel (eds):
Proceedings of the 30th International Conference on Head-Driven Phrase
Structure Grammar 80–100. Frankfurt/Main: University Library. (doi:10.21248/hpsg.2023.5)
Links
TEFL
Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln.
Anmeldung:
Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).
Ort:
Campus Westend, IG Farben Gebäude
Bildquelle: freepik.com
TEFL
Die nächste Sitzung des ELE Reading Circles findet am 21.01.2026 um12:15-13:45 Uhr in NG 2.701 statt. Als Textgrundlage fungiert der Orientierungsrahmen Globale Entwicklung – Bildung für nachhaltige Entwicklung in der gymnasialen Oberstufe. Alle interessierten Personen sind willkommen – eine Anmeldung ist nicht notwendig.
TEFL

TEFL
Shannon Sauro (University of Maryland, Baltimore County):
“Let's Play: Introducing Fanfiction to the Language Classroom"
When: September 23rd, 11:00
Where: Westend campus, IG 251
Registration is not necessary – but a quick email to buendgens-kosten@em.uni-frankfurt.de ensures you will get an email with room information.
Sprachpraxis
The Sprachpraxis is delighted to welcome a new lector to its team!
Olivia is a writer from Ireland with a degree in English Studies from Trinity College Dublin and a master's degree in Anglophone Literatures, Cultures and Media from Goethe University. This semester she'll draw on her unique background to teach our first semester composition classes, Writing II: Irish Short Stories, ILS II: Book Club and our master's writing colloquium. Her research interests include Irish literature, Gothic fiction, gender studies and memory studies.
Sprachpraxis
Registration for Language Classes Level I
Registration for Level I courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants. Students may choose three classes, one of which they will be allocated to when registration closes. Note that all students need to take Integrated Language Skills (Level I) first after which they then may proceed to take Writing Skills (Level I).
Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.
Please note:
Level I classes start the second week of semester.
Please bring your entrance-test results or Abiturzeugnis to the first day of class.
Writing Skills (Level I):
Please provide proof of having passed your ILS Level I class
(screenshot of electronic transcript or Schein) to the first class
session.
__________________________________________
Registration for Language Classes Level II and Level III
Registration
for Level II and III courses is administered online. Lecturers may not
sign up students for courses. All classes will be strictly limited to 30 participants.
Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.
Please note:
All Level II and III classes start the first week of semester.
Level II: Students may only register for a Level II course if they have passed a Level I course, unless they are WiPäd students.
Please
provide proof of having passed your Level I class (screenshot of
electronic transcript or Schein) to the first class session.
Level III: Level III classes are designed for masters students only. Undergraduates may take a Level III course if they have completed their required "Sprachpraxis" modules (Level I and Level II).
Chaincourt Theatre
Chaincourt Theater - Winter semester 2025/26 production
Wealth, Power, Success, and Survival
The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry
Glen Ross
How
far should one go to attain wealth and success?
Which values can be compromised in this pursuit? What measures can one take in a cut-throat
competitive, materially obsessed world?
Are these goals only to be obtained through a ruthlessly single-minded
attitude? These are some of the
questions playwright David Mamet confronts us with in Glengarry Glen Ross.
In
his play, four real-estate agents find themselves thrown into a fight for
survival over the course of one week by the owners of the agency in an attempt
to increase profits. The agent with the
most sales wins a Cadillac El Dorado; the one with the second most sales wins a
set of steak knives. The last two are
fired. The agents respond with a mix of
ambition, desperation, and morally questionable actions to keep their
jobs. In this way, David Mamet presents
us with an all-too-familiar contemporary working world and challenges us to
examine its existential value.
Born
in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and
director. His play, Glengarry Glen
Ross won the Pulitzer Prize in 1984.
Mamet’s dialogue has been referred to as “Mametspeak”, a style of
script-writing which influences television and screenwriters to this day.
The Chaincourt Theatre Company is made up of students from various
faculties, alumni, and staff. It has
produced under this name since the mid-1990’s.
Before that, it went by IEAS Theatre.
Performances: Opening night on
January 30th 2026; additional performances on January 31st
as well as on February 5th, 6th, and 7th
(closing night). Curtain is at 7:30 p.m.
Tickets: 10€ (general admission) and 5€
(reduced); tickets are only available at the box office one hour before curtain
(6:30 p.m.); no advance ticket sales.
Location:
Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741
Contact: James Fisk (Artistic Director);
fisk@em.uni-frankfurt.de
Chaincourt Theatre
Chaincourt Theater - Summer semester 2025 production
What foibles are forgivable?
In An Ideal Husband, celebrated Irish playwright Oscar Wilde explores issues of far-reaching consequence: Is putting people on a pedestal advisable, especially when love is involved? Do we compromise ourselves when we covet power? For what errors in judgement can we pardon those we love; and how should the public judge such missteps? In the play, Evelyn and Gertrude Chiltern are confronted with these questions when the manipulative Mrs. Cheveley threatens to reveal to the press to what and to whom they really owe their wealth and standing in society.
Just as we debate the veracity of “Cancel Culture” as well as the moral decency of those with power, Oscar Wilde’s characters often occupy a grey zone. In An Ideal Husband, these perennial subject matters provoke not only thought and response but also provide a vehicle to entertain an audience.
Experienced cast and crew ready to take on the task
Under the direction of James Fisk, the Chaincourt Theatre Company has adapted the 1894 Victorian comedy to the here-and-now. Both on and off stage, the theatre group is made up of students from various university faculties as well as from alumni of the English department. Although most of the cast and crew are returning members, a number of fresh faces are also making their début. All have taken it upon themselves to deliver the audience an engaging evening of entertainment. Performances are in English and will take place in the “Nebengebäude” next to the Main Building on Campus Westend.
Performances: Opening night on 11 July; additional showings on 12, 17, 18, and 19 July. Curtain is 7:30 p.m.
Tickets: 10€/5€ (reduced); available one hour before curtain (no advanced sales or reservations)
Location: Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741
Contact: James Fisk (Managing Artistic Director) fisk@em.uni-frankfurt.de
Chaincourt Theatre
Chaincourt Theatre Production WS 24/25
Chaincourt Theatre
Winter-semester production 2024/25
Click article to enlarge.
FR article online.
Literary Journal
Literary Journal
The IEAS Literary Journal is composed of a
team of IEAS student editors (BA, Lehramt, and MA) who select, edit, and
develop at least one annual issue of English-language creative writing by our
students. IEAS BA/Lehramt students can apply to be an editor starting in their
third semester; MA students are welcome to apply at any time.
Becoming a Journal
Editor – Why You Should Do It, and How:
BA AS and ES students may receive up to three extracurricular credit points in
total for their participation (2 CPs as an editor/3 CPs as an editor-in-chief; please
consult your study plan for further information). Lehramt students do
not receive credit points for participation, but they gain valuable experience
in developing and managing student-based writing publications.
Applicants do not need
prior editorial experience, just the desire to develop different types of
texts, work with student authors, and support the editorial team in creating a
publication. As an editor you must be able attending meetings, communicate in a
clear and professional manner, and engage in detailed discussions about
editorial matters.
Ideal applicants love writing, writers, and learning more about how words
create narratives; they are also open to discussion and differences in
perspective, manage deadlines responsibly, and can work independently as well
as in a team.
Note: As an editor, you
agree to be part of the editing team for an entire volume; this in a one-year
commitment).
Editorial applications are accepted annually from October 1st to March
1st.
To apply, send an email to ieasliteraryjournal@gmail.com with
a brief cover letter explaining who you are and specifically why you are
interested in joining the editorial team.
American Studies
Room: IG 254
American Studies
IG 254
American Studies
Room: IG 254
American Studies
IG 254
English Studies
31 October – 1 November 2025 | Goethe University Frankfurt
English Studies
We welcome Dr Simon Smith as a visiting fellow in the Department of English Studies.
Simon Smith, FSA, is Associate Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham. His research focuses on early modern theatre, music and sensory culture.
https://www.birmingham.ac.uk/staff/profiles/shakespeare/smith-simon
NELK
Room: Cas 1.812
NELK
CAS 823
NELK
Room: Cas 1.812
NELK
HZ 8
Linguistics
The following course has been added to the IEAS course program. Registration is still open for it.
Linguistics and science communication: Sharing linguistic research with the world
Instructor: Manfred
Sailer
Monday, 12.15-13.45, starting 4.11.2024
Room: IG 3.201
Modules:
Course description
There is a growing
interest in and a growing need for accessible and available presentation of
scientific research and insights. According
to linguistic-TikToker Simon Meier-Vieracker (Dresden), linguistics is in an
ideal situation for science communication: (i) Everyone uses
language and has some opinion on language and language use. This makes it easy
for most people to relate to linguistic topics. (ii) There are many freely
accessible tools and resources that make it possible to put interesting content
together quite easily, and to empower the
audience to start their own linguistic exploration.
The aim of this class
is to produce material for various science communication scenarios (such as
short videos for platforms like
youtube, material for projects in a secondary school classroom, or material for
information talks addressing adults).
In the course, participants will get some theoretical background on science communication. We will evaluate existing science communication material and initiatives on linguistic topics – including TED talks, Science Slam contributions, popular science books and others. We will identify possible science communication settings, as well as topics on which the course praticipants have some background from previous linguistics courses or that seem to be of interest for the intended target group.
In addition to the regular weekly meetings of the whole course from November 4 on, groups are expected to have individual meetings with the instructor to discuss their projects.
Course reading
among others:
Wagner, Laura & Cecile McKee. 2023. How to talk language science with
everybody. Cambridge: Cambridge University Press.
(Available
electronically at the UB)
Prerequisites
Introduction to Linguistics
To register, write an
e-mail message to Manfred Sailer
(sailer@em.uni-frankfurt.de) and enroll in the course’s OLAT class and its
learning group:
https://olat-ce.server.uni-frankfurt.de/olat/auth/RepositoryEntry/22786834434
The password for the Olat course is: Sailer-WiSe2425
Leistungsnachweis
Assignments, in-class presentation, term paper
Linguistics
About
My academic journey
started with a bachelor's degree in English
Studies and Romance Studies at Goethe-University Frankfurt, where I
specialized in English and French linguistics. To expand and deepen my
knowledge in theoretical linguistics, I continued my studies at
Goethe-University Frankfurt with a master's degree in Linguistics.
Having previously worked as a student assistant and tutor in the
linguistics department of the IEAS, I am excited to return as a PhD
student.
Interests
I am interested in
different phenomena at the
syntax-semantics-pragmatics interface, especially from an empirical
and contrastive perspective. For example, in my master's thesis, I
investigated the interaction between information structure and word order
variation in the German middle field using corpus and
experimental methods. As a member of Project B01
within the SFB
„NegLab,“ I will be carrying out corpus and experimental studies on
negation and quantification in German.
Linguistics
In order to promote a discussion between formal and constructional approaches to grammar, Nurit Melnik & Manfred Sailer edited a special issue of the Journal of Language Modelling devoted to “Constructional approaches in formal grammar”.
The issue consists of a brief introduction and three papers – by Jamie Findlay, Frank van Eynde, and Nurit Melnik. In the introduction, Nurit & Manfred identify three key ways of understanding “constructional” and they show how each of the contributions in the issue relates to these.
Links
Linguistics
The proceedings of this year’s HPSG conference are now available! The volume includes a contribution by Manfred Sailer & Nicolas Lamoure on “Superlative ever in Dutch, French, German, and Spanish.”
The paper examines borrowed instances of emphatic superlative ever (ES-ever) into two Germanic languages (Dutch and German) and two Romance languages (French and Spanish). Manfred & Nicolas extracted naturally occurring instances of ES-ever and modeled the data in three stages:
In their formalization, they extend the HPSG approach to social meaning taken in Asadpour et al. 2022 to borrowing.
Manfred & Nicolas had presented part of this work earlier in a more informal way at the workshop on “Coexistence, Competion, and Change” at DGfS 2023. This work is also related to the initiative on the Dynamics of Asymmetric Language Contact (DALC).
References
Asadpour, Hiwa, Shene
Hassan & Manfred Sailer. 2022. Non-wh relatives in English and
Kurdish: Constraints on grammar and use. In Stefan Müller & Elodie Winckel
(eds.), Proceedings of the 29th International Conference on Head-Driven
Phrase Structure Grammar, Online (Nagoya/Tokyo), 6–26. Frankfurt/Main: Uni-
versity Library. (doi:10.21248/hpsg.2022.1)
Sailer, Manfred & Lamoure, Nicolas. 2023. Superlative ever in Dutch,
French, German, and Spanish. In Stefan Müller & Elodie Winckel (eds):
Proceedings of the 30th International Conference on Head-Driven Phrase
Structure Grammar 80–100. Frankfurt/Main: University Library. (doi:10.21248/hpsg.2023.5)
Links
TEFL
Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln.
Anmeldung:
Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).
Ort:
Campus Westend, IG Farben Gebäude
Bildquelle: freepik.com
TEFL
Die nächste Sitzung des ELE Reading Circles findet am 21.01.2026 um12:15-13:45 Uhr in NG 2.701 statt. Als Textgrundlage fungiert der Orientierungsrahmen Globale Entwicklung – Bildung für nachhaltige Entwicklung in der gymnasialen Oberstufe. Alle interessierten Personen sind willkommen – eine Anmeldung ist nicht notwendig.
TEFL

TEFL
Shannon Sauro (University of Maryland, Baltimore County):
“Let's Play: Introducing Fanfiction to the Language Classroom"
When: September 23rd, 11:00
Where: Westend campus, IG 251
Registration is not necessary – but a quick email to buendgens-kosten@em.uni-frankfurt.de ensures you will get an email with room information.
Sprachpraxis
The Sprachpraxis is delighted to welcome a new lector to its team!
Olivia is a writer from Ireland with a degree in English Studies from Trinity College Dublin and a master's degree in Anglophone Literatures, Cultures and Media from Goethe University. This semester she'll draw on her unique background to teach our first semester composition classes, Writing II: Irish Short Stories, ILS II: Book Club and our master's writing colloquium. Her research interests include Irish literature, Gothic fiction, gender studies and memory studies.
Sprachpraxis
Registration for Language Classes Level I
Registration for Level I courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants. Students may choose three classes, one of which they will be allocated to when registration closes. Note that all students need to take Integrated Language Skills (Level I) first after which they then may proceed to take Writing Skills (Level I).
Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.
Please note:
Level I classes start the second week of semester.
Please bring your entrance-test results or Abiturzeugnis to the first day of class.
Writing Skills (Level I):
Please provide proof of having passed your ILS Level I class
(screenshot of electronic transcript or Schein) to the first class
session.
__________________________________________
Registration for Language Classes Level II and Level III
Registration
for Level II and III courses is administered online. Lecturers may not
sign up students for courses. All classes will be strictly limited to 30 participants.
Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.
Please note:
All Level II and III classes start the first week of semester.
Level II: Students may only register for a Level II course if they have passed a Level I course, unless they are WiPäd students.
Please
provide proof of having passed your Level I class (screenshot of
electronic transcript or Schein) to the first class session.
Level III: Level III classes are designed for masters students only. Undergraduates may take a Level III course if they have completed their required "Sprachpraxis" modules (Level I and Level II).
Chaincourt Theatre
Chaincourt Theater - Winter semester 2025/26 production
Wealth, Power, Success, and Survival
The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry
Glen Ross
How
far should one go to attain wealth and success?
Which values can be compromised in this pursuit? What measures can one take in a cut-throat
competitive, materially obsessed world?
Are these goals only to be obtained through a ruthlessly single-minded
attitude? These are some of the
questions playwright David Mamet confronts us with in Glengarry Glen Ross.
In
his play, four real-estate agents find themselves thrown into a fight for
survival over the course of one week by the owners of the agency in an attempt
to increase profits. The agent with the
most sales wins a Cadillac El Dorado; the one with the second most sales wins a
set of steak knives. The last two are
fired. The agents respond with a mix of
ambition, desperation, and morally questionable actions to keep their
jobs. In this way, David Mamet presents
us with an all-too-familiar contemporary working world and challenges us to
examine its existential value.
Born
in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and
director. His play, Glengarry Glen
Ross won the Pulitzer Prize in 1984.
Mamet’s dialogue has been referred to as “Mametspeak”, a style of
script-writing which influences television and screenwriters to this day.
The Chaincourt Theatre Company is made up of students from various
faculties, alumni, and staff. It has
produced under this name since the mid-1990’s.
Before that, it went by IEAS Theatre.
Performances: Opening night on
January 30th 2026; additional performances on January 31st
as well as on February 5th, 6th, and 7th
(closing night). Curtain is at 7:30 p.m.
Tickets: 10€ (general admission) and 5€
(reduced); tickets are only available at the box office one hour before curtain
(6:30 p.m.); no advance ticket sales.
Location:
Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741
Contact: James Fisk (Artistic Director);
fisk@em.uni-frankfurt.de
Chaincourt Theatre
Chaincourt Theater - Summer semester 2025 production
What foibles are forgivable?
In An Ideal Husband, celebrated Irish playwright Oscar Wilde explores issues of far-reaching consequence: Is putting people on a pedestal advisable, especially when love is involved? Do we compromise ourselves when we covet power? For what errors in judgement can we pardon those we love; and how should the public judge such missteps? In the play, Evelyn and Gertrude Chiltern are confronted with these questions when the manipulative Mrs. Cheveley threatens to reveal to the press to what and to whom they really owe their wealth and standing in society.
Just as we debate the veracity of “Cancel Culture” as well as the moral decency of those with power, Oscar Wilde’s characters often occupy a grey zone. In An Ideal Husband, these perennial subject matters provoke not only thought and response but also provide a vehicle to entertain an audience.
Experienced cast and crew ready to take on the task
Under the direction of James Fisk, the Chaincourt Theatre Company has adapted the 1894 Victorian comedy to the here-and-now. Both on and off stage, the theatre group is made up of students from various university faculties as well as from alumni of the English department. Although most of the cast and crew are returning members, a number of fresh faces are also making their début. All have taken it upon themselves to deliver the audience an engaging evening of entertainment. Performances are in English and will take place in the “Nebengebäude” next to the Main Building on Campus Westend.
Performances: Opening night on 11 July; additional showings on 12, 17, 18, and 19 July. Curtain is 7:30 p.m.
Tickets: 10€/5€ (reduced); available one hour before curtain (no advanced sales or reservations)
Location: Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741
Contact: James Fisk (Managing Artistic Director) fisk@em.uni-frankfurt.de
Chaincourt Theatre
Chaincourt Theatre Production WS 24/25
Chaincourt Theatre
Winter-semester production 2024/25
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Literary Journal
Literary Journal
The IEAS Literary Journal is composed of a
team of IEAS student editors (BA, Lehramt, and MA) who select, edit, and
develop at least one annual issue of English-language creative writing by our
students. IEAS BA/Lehramt students can apply to be an editor starting in their
third semester; MA students are welcome to apply at any time.
Becoming a Journal
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BA AS and ES students may receive up to three extracurricular credit points in
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consult your study plan for further information). Lehramt students do
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in developing and managing student-based writing publications.
Applicants do not need
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Ideal applicants love writing, writers, and learning more about how words
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perspective, manage deadlines responsibly, and can work independently as well
as in a team.
Note: As an editor, you
agree to be part of the editing team for an entire volume; this in a one-year
commitment).
Editorial applications are accepted annually from October 1st to March
1st.
To apply, send an email to ieasliteraryjournal@gmail.com with
a brief cover letter explaining who you are and specifically why you are
interested in joining the editorial team.
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