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TEFL

Feb 18 2026
14:00 - 18:00

Englischnachmittag für Grundschullehrkräfte

IEAS DID Foto

Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln. 


Anmeldung:

Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).


Ort

Campus Westend, IG Farben Gebäude


Bildquelle: freepik.com

IEAS TEFL FLISST Programm Grundschule 2026
Direktlink

Chaincourt Theatre

Jan 30 2026
- 07.02.2026

Chaincourt Theater - Winter semester 2025/26 production

"Glengarry Glen Ross" by David Mamet

Wealth, Power, Success, and Survival

The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry Glen Ross

How far should one go to attain wealth and success?  Which values can be compromised in this pursuit?  What measures can one take in a cut-throat competitive, materially obsessed world?  Are these goals only to be obtained through a ruthlessly single-minded attitude?  These are some of the questions playwright David Mamet confronts us with in Glengarry Glen Ross.

In his play, four real-estate agents find themselves thrown into a fight for survival over the course of one week by the owners of the agency in an attempt to increase profits.  The agent with the most sales wins a Cadillac El Dorado; the one with the second most sales wins a set of steak knives.  The last two are fired.  The agents respond with a mix of ambition, desperation, and morally questionable actions to keep their jobs.  In this way, David Mamet presents us with an all-too-familiar contemporary working world and challenges us to examine its existential value.

Born in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and director.  His play, Glengarry Glen Ross won the Pulitzer Prize in 1984.  Mamet’s dialogue has been referred to as “Mametspeak”, a style of script-writing which influences television and screenwriters to this day.

The Chaincourt Theatre Company is made up of students from various faculties, alumni, and staff.  It has produced under this name since the mid-1990’s.  Before that, it went by IEAS Theatre.

Performances:  Opening night on January 30th 2026; additional performances on January 31st as well as on February 5th, 6th, and 7th (closing night).  Curtain is at 7:30 p.m.

Tickets:  10€ (general admission) and 5€ (reduced); tickets are only available at the box office one hour before curtain (6:30 p.m.); no advance ticket sales.

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Artistic Director); fisk@em.uni-frankfurt.de

Direktlink

American Studies

Jan 27 2026
18:15

Room: IG 254

Fully Booked - Thomas Pynchon "Shadow Ticket"

NELK

Jan 22 2026
18:00

Room: Cas 1.812

Prof. Dr. Eva Ulrike Pirker (VUB): Art and the‘Rise of the Meritocracy’ in the Twilight of Empire: Fragile Networks across the Anglophone Black Atlantic World | Forum of Anglophone Literatures and Cultures

NELK

Jan 22 2026
16:00

CAS 823

Jan Alber (Gießen): “The Ethical Ramifications of Post-Postmodernist Fictions of the Digital” | New Frontiers in Memory Studies Lecture Series (FMSP)

Department News Headliner

American Studies

Jan 27 2026
18:15

Room: IG 254

Fully Booked - Thomas Pynchon "Shadow Ticket"

American Studies

Dez 9 2025
18:15

IG 254

Guest Lecture: Günter Leypoldt (Heidelberg) "Literary Value from a Socio-Institutional Perspective" | American Studies Research Colloquium WS 25/26

American Studies

Nov 11 2025
18:15

Room: IG 254

Fully Booked - Dashiell Hammett "The Maltese Falcon"

American Studies

Nov 4 2025
18:15

IG 254

Guest Lecture: Paula Moya (Stanford) "Cuando canto mi cancíon: The Ethics of Hope Among Latina/o/xs in the U.S." | American Studies Research Colloquium WS 25/26

English Studies

Okt 31 2025
- 01.11.2025

31 October – 1 November 2025 | Goethe University Frankfurt

Workshop: The Companies We Keep – Figurations, Narratives, and Practices of Co-Living in Common Spaces

Questions of housing and cohabitation are a topic of undeniable relevance today. Contemporary literature in particular shows that the polycrisis and cultural trends of the 21st century reflect and influence the way we experience figurations and practices of cohabitation in an ambivalent way. While existing research focuses on the home as the place where questions of identity, ideology and power are negotiated, the interdisciplinary workshop The Companies We Keep focuses on the relationality of humans, animals, objects and technologies in all types of dwellings in 21st-century British and Anglophone literature. 
The aim of this event is to examine dynamic constellations of co-living from a literary, cultural and media studies perspective and therefore to outline cohabitation and its constitutive relationalities as a field of research. 
Keynote speaker Professor Ben Highmore (University of Sussex) will deliver a lecture entitled “Domestic Milieux: Infrastructure, Osmosis, Reflux" (31.10., 6 pm., s.t.) The workshop is organized by Dr. Susanne Bayerlipp (Goethe University Frankfurt) and hosted by the Institute for English and American Studies.

For further information and the full programme please contact bayerlipp@em.uni-fankfurt.de


Direktlink

English Studies

Jul 10 2025
- 20.07.2025

Visiting Fellow Dr Simon Smith (Shakespeare Institute, University of Birmingham) at the IEAS


We welcome Dr Simon Smith as a visiting fellow in the Department of English Studies. 

Simon Smith, FSA, is Associate Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham. His research focuses on early modern theatre, music and sensory culture.
https://www.birmingham.ac.uk/staff/profiles/shakespeare/smith-simon

  • Together with Professor Susanne Scholz, he will lead the block seminar Shakespeare's Audiences, which will take place on the weekends of 11–12 July and 18–19 July 2025.

  • Dr Simon Smith will give the Wednesday Lecture (Forschungszentrum Historische Geisteswissenschaften, FZHG) on 16 July 2025, titled “Twelfth Night" Reconsidered: Identity, Song and Performativity.

Jul 16
18:15 Uhr

“Twelfth Night" Reconsidered: Identity, Song and Performativity.

IEAS ES Simon Smith Header
Twelfth Night has long been recognised as one of Shakespeare's most musical plays. In recent decades critics have increasingly given attention to the ways in which it is concerned with identity too, from Viola's adoption of the Cesario identity for the vast majority of the play, to the conflict between Malvolio and Sir Toby over social advancement, hereditary rank, and meritocracy. This talk, emerging from my research for the new Cambridge Shakespeare Edition of Twelfth Night, argues that the two threads of song and identity are in fact closely entwined within the play, with each holding the key to a deeper understanding of the other. Looking in particular detail at key scenes including 2.3, 2.4 and 5.1, and drawing on the play's rich stage history that is yet to be fully researched, this talk will suggest ways of reading the play closely in light of the wider themes of identity and song, and suggest outward connections, too, with other plays by Shakespeare and his contemporaries. 

https://fzhg.org/termine/termin/10-simon-smith
Direktlink

NELK

Jan 22 2026
18:00

Room: Cas 1.812

Prof. Dr. Eva Ulrike Pirker (VUB): Art and the‘Rise of the Meritocracy’ in the Twilight of Empire: Fragile Networks across the Anglophone Black Atlantic World | Forum of Anglophone Literatures and Cultures

NELK

Jan 22 2026
16:00

CAS 823

Jan Alber (Gießen): “The Ethical Ramifications of Post-Postmodernist Fictions of the Digital” | New Frontiers in Memory Studies Lecture Series (FMSP)

NELK

Dez 4 2025
18:00 - 20:00

Room: Cas 1.812

Dr. Jernej Habjan (ZRC SAZU): The Global More-than-Novel: The Global Novel as Form and Object | Forum of Anglophone Literatures and Cultures

NELK

Okt 28 2025
14:00 - 03.02.2026 16:00

HZ 8

Lecture Series: Transoceanic Exchanges in African Culture, Music and Literature 

Linguistics

Okt 31 2024

New course: Linguistics and Science Communication

The following course has been added to the IEAS course program. Registration is still open for it.

Linguistics and science communication: Sharing linguistic research with the world

Instructor: Manfred Sailer
Monday, 12.15-13.45,  starting 4.11.2024
Room: IG 3.201
Modules:

  • L3 FW 3.1, FW 4.2
  • BA ES 3.4.2 /
  • BA EmpSprachw En5
  • MALing LING-INT-ARC, LING-CORE-ARC B
  • MA EmpSprachw MA-ES-EN-B

Course description

There is a growing interest in and a growing need for accessible and available presentation of scientific research and insights. According
to linguistic-TikToker Simon Meier-Vieracker (Dresden), linguistics is in an ideal situation for science communication: (i) Everyone uses
language and has some opinion on language and language use. This makes it easy for most people to relate to linguistic topics. (ii) There are many freely accessible tools and resources that make it possible to put interesting content together quite easily, and to empower the
audience to start their own linguistic exploration.

The aim of this class is to produce material for various science communication scenarios (such as short videos for platforms like
youtube, material for projects in a secondary school classroom, or material for information talks addressing adults).

In the course, participants will get some theoretical background on science communication. We will evaluate existing science communication material and initiatives on linguistic topics – including TED talks, Science Slam contributions, popular science books and others. We will identify possible science communication settings, as well as topics on which the course praticipants have some background from previous linguistics courses or that seem to be of interest for the intended target group.

In addition to the regular weekly meetings of the whole course from November 4 on, groups are expected to have individual meetings with the instructor to discuss their projects.

Course reading

among others:
Wagner, Laura & Cecile McKee. 2023. How to talk language science with everybody.
Cambridge: Cambridge University Press. (Available
electronically at the UB)

Prerequisites

Introduction to Linguistics

To register, write an e-mail message to Manfred Sailer
(sailer@em.uni-frankfurt.de) and enroll in the course’s OLAT class and its learning group:
https://olat-ce.server.uni-frankfurt.de/olat/auth/RepositoryEntry/22786834434

The password for the Olat course is: Sailer-WiSe2425

Leistungsnachweis

Assignments, in-class presentation, term paper

Direktlink

Linguistics

Mai 13 2024

​ New colleague: Jana-Elina Jordan

IEAS_Ling_JanaJordan_Foto
The linguistics department of the IEAS has welcomed a new member this term, Jana-Elina Jordan. She will present herself in this blog entry.

About

My academic journey started with a bachelor's degree in English
Studies and Romance Studies at Goethe-University Frankfurt, where I
specialized in English and French linguistics. To expand and deepen my
knowledge in theoretical linguistics, I continued my studies at
Goethe-University Frankfurt with a master's degree in Linguistics.
Having previously worked as a student assistant and tutor in the
linguistics department of the IEAS, I am excited to return as a PhD
student.

Interests

I am interested in different phenomena at the
syntax-semantics-pragmatics interface, especially from an empirical
and contrastive perspective. For example, in my master's thesis, I
investigated the interaction between information structure and word order variation in the German middle field using corpus and
experimental methods. As a member of
Project B01 within the SFB
„NegLab,“ I will be carrying out corpus and experimental studies on
negation and quantification in German.

Direktlink

Linguistics

Jan 30 2024

​ Melnik & Sailer edit special issue on “Constructional approaches in formal grammar”

In order to promote a discussion between formal and constructional approaches to grammar, Nurit Melnik & Manfred Sailer edited a special issue of the Journal of Language Modelling devoted to “Constructional approaches in formal grammar”.

The issue consists of a brief introduction and three papers – by Jamie Findlay, Frank van Eynde, and Nurit Melnik. In the introduction, Nurit & Manfred identify three key ways of understanding “constructional” and they show how each of the contributions in the issue relates to these.

Links

Direktlink

Linguistics

Nov 30 2023

​ Sailer & Lamoure in HPSG 2023 Proceedings

The proceedings of this year’s HPSG conference are now available! The volume includes a contribution by Manfred Sailer & Nicolas Lamoure on “Superlative ever in Dutch, French, German, and Spanish.”

The paper examines borrowed instances of emphatic superlative ever (ES-ever) into two Germanic languages (Dutch and German) and two Romance languages (French and Spanish). Manfred & Nicolas extracted naturally occurring instances of ES-ever and modeled the data in three stages:

  • Stage-1: constructional borrowing (el coolest job ever ‘the coolest job ever’),
  • Stage-2: diaconstruction (la  mejor canción ever ‘the best song ever’),
  • Stage-3: lexical borrowing (las portadas más photoshopeadas ever ‘the most photoshoped portals ever’).

In their formalization, they extend the HPSG approach to social meaning taken in Asadpour et al. 2022 to borrowing.

Manfred & Nicolas had presented part of this work earlier in a more informal way at the workshop on “Coexistence, Competion, and Change” at DGfS 2023. This work is also related to the initiative on the Dynamics of Asymmetric Language Contact (DALC).

References

Asadpour, Hiwa, Shene Hassan & Manfred Sailer. 2022. Non-wh relatives in English and Kurdish: Constraints on grammar and use. In Stefan Müller & Elodie Winckel (eds.), Proceedings of the 29th International Conference on Head-Driven Phrase Structure Grammar, Online (Nagoya/Tokyo), 6–26. Frankfurt/Main: Uni-
versity Library. (
doi:10.21248/hpsg.2022.1)


Sailer, Manfred & Lamoure, Nicolas. 2023. Superlative ever in Dutch, French, German, and Spanish. In Stefan Müller & Elodie Winckel (eds):  Proceedings of the 30th International Conference on Head-Driven Phrase Structure Grammar 80–100.
Frankfurt/Main: University Library. (doi:10.21248/hpsg.2023.5)

Links

Direktlink

TEFL

Feb 18 2026
14:00 - 18:00

Englischnachmittag für Grundschullehrkräfte

IEAS DID Foto

Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln. 


Anmeldung:

Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).


Ort

Campus Westend, IG Farben Gebäude


Bildquelle: freepik.com

IEAS TEFL FLISST Programm Grundschule 2026
Direktlink

TEFL

Jan 21 2026
12:00

English Language Education Reading Circle

Auch im Wintersemester findet wieder der ELE Reading Circle statt, in dem jeweils ein aktueller Text mit Relevanz für die Englischdidaktik diskutiert wird. Am 5.11. war das Thema „kritische Fremdsprachendidaktik“. Rieke Dieckhoff führte in einen Artikel von Heidt/König/Louloudi/Merse (2025) ein, der anschließend von den anwesenden Mitarbeitenden und Studierenden als Diskussionsanlass genutzt wurde. 

Die nächste Sitzung des ELE Reading Circles findet am 21.01.2026 um12:15-13:45 Uhr in NG 2.701 statt. Als Textgrundlage fungiert der Orientierungsrahmen Globale Entwicklung – Bildung für nachhaltige Entwicklung in der gymnasialen Oberstufe. Alle interessierten Personen sind willkommen – eine Anmeldung ist nicht notwendig.

Direktlink

TEFL

Okt 7 2025

DGFF-Nachwuchspreis 2025 für Dissertation zur Filmbildung im Englischunterricht

Foto von der Preisverleihung mit der Vorsitzenden der
Auswahlkommission, Prof. Dr. Britta Viebrock
Der diesjährige Nachwuchspreis der Deutschen Gesellschaft für Fremdsprachenforschung (DGFF) geht an Dr. Jan-Erik Leonhardt als langjähriges Mitglied der Englischdidaktik an der Goethe-Universität. Ausgezeichnet wurde seine Dissertation „Film Literacy im Englischunterricht: Eine Mixed-Methods-Studie zur Erhebung der Kompetenzen von Lernenden der Sekundarstufe I“, die sich einem innovativen und bislang kaum empirisch erforschten Thema widmet.
Jan-Erik Leonhardt untersucht darin, welche Kompetenzen Schüler:innen beim Umgang mit Filmen im Fremdsprachenunterricht haben – und wie sich diese Kompetenzen erfassen lassen. Im Zentrum seiner Arbeit steht die Entwicklung eines Testverfahrens, das filmische Teilkompetenzen differenziert abbilden kann. Mit einer großen empirischen Studie mit 671 Lernenden konnte er zeigen, dass Schüler:innen zwar über vielfältige private Erfahrungen mit Filmen verfügen, im schulischen Kontext aber noch erheblicher Förderbedarf besteht – insbesondere beim kritischen und analytischen Umgang mit Filmen.
Die Jury würdigte die Dissertation als „herausragende und äußerst luzide geschriebene“ Arbeit, die nicht nur methodisch überzeugend sei, sondern auch die Filmdidaktik als eigenständige Teildisziplin der Fremdsprachendidaktik empirisch fundiere. Mit seinen Ergebnissen eröffnet Jan-Erik Leonhardt neue Perspektiven für den Einsatz von Filmen im Englischunterricht und leistet einen wichtigen Beitrag zum aktuellen wissenschaftlichen Diskurs. Die Arbeit erschien 2024 bei J.B. Metzler und kann über die Universitätsbibliothek der Universität Frankfurt (auch als E-Book) gelesen werden.

Direktlink

TEFL

Sep 23 2025
11:00

Guest Lecture: Shannon Sauro “Let's Play: Introducing Fanfiction to the Language Classroom" 

Shannon Sauro (University of Maryland, Baltimore County):
“Let's Play: Introducing Fanfiction to the Language Classroom" 

When: September 23rd, 11:00

Where: Westend campus, IG 251 

Registration is not necessary – but a quick email to buendgens-kosten@em.uni-frankfurt.de ensures you will get an email with room information.

Direktlink

Sprachpraxis

Dez 4 2025

New colleague: Olivia Smith

ieas sprax profile Smith

The Sprachpraxis is delighted to welcome a new lector to its team!  

Olivia is a writer from Ireland with a degree in English Studies from Trinity College Dublin and a master's degree in Anglophone Literatures, Cultures and Media from Goethe University. This semester she'll draw on her unique background to teach our first semester composition classes, Writing II: Irish Short Stories, ILS II: Book Club and our master's writing colloquium. Her research interests include Irish literature, Gothic fiction, gender studies and memory studies.

Direktlink

Sprachpraxis

Sep 25 2024
15:52

Registration for Language Classes

Please note that IEAS students are eligible to attend one language course 
(= sprachpraktische Übung) per semester only, irrespective of level.
For Staatsexamen Prep courses (alte Studienordnung), please see below.

__________________________________________

Registration for Language Classes Level I

Registration for Level I courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants. Students may choose three classes, one of which they will be allocated to when registration closes. Note that all students need to take Integrated Language Skills (Level I) first after which they then may proceed to take Writing Skills (Level I).

Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.

Please note:
Level I classes start the second week of semester.
Please bring your entrance-test results or Abiturzeugnis to the first day of class. 
Writing Skills (Level I): Please provide proof of having passed your ILS Level I class (screenshot of electronic transcript or Schein) to the first class session.

__________________________________________


Registration for Language Classes Level II and Level III

Registration for Level II and III courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants.

Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.

Please note:
All Level II and III classes start the first week of semester.
Level II: Students may only register for a Level II course if they have passed a Level I course, unless they are WiPäd students.
Please provide proof of having passed your Level I class (screenshot of electronic transcript or Schein) to the first class session.
Level III: Level III classes are designed for masters students only. Undergraduates may take a Level III course if they have completed their required "Sprachpraxis" modules (Level I and Level II).

Direktlink

Chaincourt Theatre

Jan 30 2026
- 07.02.2026

Chaincourt Theater - Winter semester 2025/26 production

"Glengarry Glen Ross" by David Mamet

Wealth, Power, Success, and Survival

The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry Glen Ross

How far should one go to attain wealth and success?  Which values can be compromised in this pursuit?  What measures can one take in a cut-throat competitive, materially obsessed world?  Are these goals only to be obtained through a ruthlessly single-minded attitude?  These are some of the questions playwright David Mamet confronts us with in Glengarry Glen Ross.

In his play, four real-estate agents find themselves thrown into a fight for survival over the course of one week by the owners of the agency in an attempt to increase profits.  The agent with the most sales wins a Cadillac El Dorado; the one with the second most sales wins a set of steak knives.  The last two are fired.  The agents respond with a mix of ambition, desperation, and morally questionable actions to keep their jobs.  In this way, David Mamet presents us with an all-too-familiar contemporary working world and challenges us to examine its existential value.

Born in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and director.  His play, Glengarry Glen Ross won the Pulitzer Prize in 1984.  Mamet’s dialogue has been referred to as “Mametspeak”, a style of script-writing which influences television and screenwriters to this day.

The Chaincourt Theatre Company is made up of students from various faculties, alumni, and staff.  It has produced under this name since the mid-1990’s.  Before that, it went by IEAS Theatre.

Performances:  Opening night on January 30th 2026; additional performances on January 31st as well as on February 5th, 6th, and 7th (closing night).  Curtain is at 7:30 p.m.

Tickets:  10€ (general admission) and 5€ (reduced); tickets are only available at the box office one hour before curtain (6:30 p.m.); no advance ticket sales.

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Artistic Director); fisk@em.uni-frankfurt.de

Direktlink

Chaincourt Theatre

Jul 11 2025
19:30

Chaincourt Theater - Summer semester 2025 production

"An Ideal Husband"

What foibles are forgivable?

In An Ideal Husband, celebrated Irish playwright Oscar Wilde explores issues of far-reaching consequence:  Is putting people on a pedestal advisable, especially when love is involved?  Do we compromise ourselves when we covet power?  For what errors in judgement can we pardon those we love; and how should the public judge such missteps?  In the play, Evelyn and Gertrude Chiltern are confronted with these questions when the manipulative Mrs. Cheveley threatens to reveal to the press to what and to whom they really owe their wealth and standing in society. 

Just as we debate the veracity of “Cancel Culture” as well as the moral decency of those with power, Oscar Wilde’s characters often occupy a grey zone.  In An Ideal Husband, these perennial subject matters provoke not only thought and response but also provide a vehicle to entertain an audience.

Experienced cast and crew ready to take on the task

Under the direction of James Fisk, the Chaincourt Theatre Company has adapted the 1894 Victorian comedy to the here-and-now.  Both on and off stage, the theatre group is made up of students from various university faculties as well as from alumni of the English department.  Although most of the cast and crew are returning members, a number of fresh faces are also making their début.  All have taken it upon themselves to deliver the audience an engaging evening of entertainment.  Performances are in English and will take place in the “Nebengebäude” next to the Main Building on Campus Westend.

Performances:  Opening night on 11 July; additional showings on 12, 17, 18, and 19 July.  Curtain is 7:30 p.m.

Tickets:  10€/5€ (reduced); available one hour before curtain (no advanced sales or reservations)

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Managing Artistic Director) fisk@em.uni-frankfurt.de

Direktlink

Chaincourt Theatre

Jan 31 2025
19:30 - 08.02.2025 00:00

Chaincourt Theatre Production WS 24/25

Hamlet by William Shakespeare

Chaincourt Theatre

Jan 17 2025

Winter-semester production 2024/25

"Hamlet" - article in Frankfurter Rundschau 17.01.2025


Click article to enlarge.
FR article online.

Direktlink

Literary Journal

Nov 21 2024
- 23.02.2025

Literary Journal, Call for Submissions, Volume 8

Literary Journal

Okt 1 2024
- 01.03.2025

Call for Student Editors: The IEAS Literary Journal

The IEAS Literary Journal is composed of a team of IEAS student editors (BA, Lehramt, and MA) who select, edit, and develop at least one annual issue of English-language creative writing by our students. IEAS BA/Lehramt students can apply to be an editor starting in their third semester; MA students are welcome to apply at any time.

Becoming a Journal Editor – Why You Should Do It, and How:

BA AS and ES students may receive up to three extracurricular credit points in total for their participation (2 CPs as an editor/3 CPs as an editor-in-chiefplease consult your study plan for further information). Lehramt students do not receive credit points for participation, but they gain valuable experience in developing and managing student-based writing publications.

Applicants do not need prior editorial experience, just the desire to develop different types of texts, work with student authors, and support the editorial team in creating a publication. As an editor you must be able attending meetings, communicate in a clear and professional manner, and engage in detailed discussions about editorial matters.

Ideal applicants love writing, writers, and learning more about how words create narratives; they are also open to discussion and differences in perspective, manage deadlines responsibly, and can work independently as well as in a team.

Note: As an editor, you agree to be part of the editing team for an entire volume; this in a one-year commitment).


Editorial applications are accepted annually from October 1st to March 1st.

To apply, send an email to ieasliteraryjournal@gmail.com with a brief cover letter explaining who you are and specifically why you are interested in joining the editorial team. 

Direktlink

American Studies

Jan 27 2026
18:15

Room: IG 254

Fully Booked - Thomas Pynchon "Shadow Ticket"

American Studies

Dez 9 2025
18:15

IG 254

Guest Lecture: Günter Leypoldt (Heidelberg) "Literary Value from a Socio-Institutional Perspective" | American Studies Research Colloquium WS 25/26

American Studies

Nov 11 2025
18:15

Room: IG 254

Fully Booked - Dashiell Hammett "The Maltese Falcon"

American Studies

Nov 4 2025
18:15

IG 254

Guest Lecture: Paula Moya (Stanford) "Cuando canto mi cancíon: The Ethics of Hope Among Latina/o/xs in the U.S." | American Studies Research Colloquium WS 25/26

English Studies

Okt 31 2025
- 01.11.2025

31 October – 1 November 2025 | Goethe University Frankfurt

Workshop: The Companies We Keep – Figurations, Narratives, and Practices of Co-Living in Common Spaces

Questions of housing and cohabitation are a topic of undeniable relevance today. Contemporary literature in particular shows that the polycrisis and cultural trends of the 21st century reflect and influence the way we experience figurations and practices of cohabitation in an ambivalent way. While existing research focuses on the home as the place where questions of identity, ideology and power are negotiated, the interdisciplinary workshop The Companies We Keep focuses on the relationality of humans, animals, objects and technologies in all types of dwellings in 21st-century British and Anglophone literature. 
The aim of this event is to examine dynamic constellations of co-living from a literary, cultural and media studies perspective and therefore to outline cohabitation and its constitutive relationalities as a field of research. 
Keynote speaker Professor Ben Highmore (University of Sussex) will deliver a lecture entitled “Domestic Milieux: Infrastructure, Osmosis, Reflux" (31.10., 6 pm., s.t.) The workshop is organized by Dr. Susanne Bayerlipp (Goethe University Frankfurt) and hosted by the Institute for English and American Studies.

For further information and the full programme please contact bayerlipp@em.uni-fankfurt.de


Direktlink

English Studies

Jul 10 2025
- 20.07.2025

Visiting Fellow Dr Simon Smith (Shakespeare Institute, University of Birmingham) at the IEAS


We welcome Dr Simon Smith as a visiting fellow in the Department of English Studies. 

Simon Smith, FSA, is Associate Professor of Shakespeare and Early Modern Drama at the Shakespeare Institute, University of Birmingham. His research focuses on early modern theatre, music and sensory culture.
https://www.birmingham.ac.uk/staff/profiles/shakespeare/smith-simon

  • Together with Professor Susanne Scholz, he will lead the block seminar Shakespeare's Audiences, which will take place on the weekends of 11–12 July and 18–19 July 2025.

  • Dr Simon Smith will give the Wednesday Lecture (Forschungszentrum Historische Geisteswissenschaften, FZHG) on 16 July 2025, titled “Twelfth Night" Reconsidered: Identity, Song and Performativity.

Jul 16
18:15 Uhr

“Twelfth Night" Reconsidered: Identity, Song and Performativity.

IEAS ES Simon Smith Header
Twelfth Night has long been recognised as one of Shakespeare's most musical plays. In recent decades critics have increasingly given attention to the ways in which it is concerned with identity too, from Viola's adoption of the Cesario identity for the vast majority of the play, to the conflict between Malvolio and Sir Toby over social advancement, hereditary rank, and meritocracy. This talk, emerging from my research for the new Cambridge Shakespeare Edition of Twelfth Night, argues that the two threads of song and identity are in fact closely entwined within the play, with each holding the key to a deeper understanding of the other. Looking in particular detail at key scenes including 2.3, 2.4 and 5.1, and drawing on the play's rich stage history that is yet to be fully researched, this talk will suggest ways of reading the play closely in light of the wider themes of identity and song, and suggest outward connections, too, with other plays by Shakespeare and his contemporaries. 

https://fzhg.org/termine/termin/10-simon-smith
Direktlink

NELK

Jan 22 2026
18:00

Room: Cas 1.812

Prof. Dr. Eva Ulrike Pirker (VUB): Art and the‘Rise of the Meritocracy’ in the Twilight of Empire: Fragile Networks across the Anglophone Black Atlantic World | Forum of Anglophone Literatures and Cultures

NELK

Jan 22 2026
16:00

CAS 823

Jan Alber (Gießen): “The Ethical Ramifications of Post-Postmodernist Fictions of the Digital” | New Frontiers in Memory Studies Lecture Series (FMSP)

NELK

Dez 4 2025
18:00 - 20:00

Room: Cas 1.812

Dr. Jernej Habjan (ZRC SAZU): The Global More-than-Novel: The Global Novel as Form and Object | Forum of Anglophone Literatures and Cultures

NELK

Okt 28 2025
14:00 - 03.02.2026 16:00

HZ 8

Lecture Series: Transoceanic Exchanges in African Culture, Music and Literature 

Linguistics

Okt 31 2024

New course: Linguistics and Science Communication

The following course has been added to the IEAS course program. Registration is still open for it.

Linguistics and science communication: Sharing linguistic research with the world

Instructor: Manfred Sailer
Monday, 12.15-13.45,  starting 4.11.2024
Room: IG 3.201
Modules:

  • L3 FW 3.1, FW 4.2
  • BA ES 3.4.2 /
  • BA EmpSprachw En5
  • MALing LING-INT-ARC, LING-CORE-ARC B
  • MA EmpSprachw MA-ES-EN-B

Course description

There is a growing interest in and a growing need for accessible and available presentation of scientific research and insights. According
to linguistic-TikToker Simon Meier-Vieracker (Dresden), linguistics is in an ideal situation for science communication: (i) Everyone uses
language and has some opinion on language and language use. This makes it easy for most people to relate to linguistic topics. (ii) There are many freely accessible tools and resources that make it possible to put interesting content together quite easily, and to empower the
audience to start their own linguistic exploration.

The aim of this class is to produce material for various science communication scenarios (such as short videos for platforms like
youtube, material for projects in a secondary school classroom, or material for information talks addressing adults).

In the course, participants will get some theoretical background on science communication. We will evaluate existing science communication material and initiatives on linguistic topics – including TED talks, Science Slam contributions, popular science books and others. We will identify possible science communication settings, as well as topics on which the course praticipants have some background from previous linguistics courses or that seem to be of interest for the intended target group.

In addition to the regular weekly meetings of the whole course from November 4 on, groups are expected to have individual meetings with the instructor to discuss their projects.

Course reading

among others:
Wagner, Laura & Cecile McKee. 2023. How to talk language science with everybody.
Cambridge: Cambridge University Press. (Available
electronically at the UB)

Prerequisites

Introduction to Linguistics

To register, write an e-mail message to Manfred Sailer
(sailer@em.uni-frankfurt.de) and enroll in the course’s OLAT class and its learning group:
https://olat-ce.server.uni-frankfurt.de/olat/auth/RepositoryEntry/22786834434

The password for the Olat course is: Sailer-WiSe2425

Leistungsnachweis

Assignments, in-class presentation, term paper

Direktlink

Linguistics

Mai 13 2024

​ New colleague: Jana-Elina Jordan

IEAS_Ling_JanaJordan_Foto
The linguistics department of the IEAS has welcomed a new member this term, Jana-Elina Jordan. She will present herself in this blog entry.

About

My academic journey started with a bachelor's degree in English
Studies and Romance Studies at Goethe-University Frankfurt, where I
specialized in English and French linguistics. To expand and deepen my
knowledge in theoretical linguistics, I continued my studies at
Goethe-University Frankfurt with a master's degree in Linguistics.
Having previously worked as a student assistant and tutor in the
linguistics department of the IEAS, I am excited to return as a PhD
student.

Interests

I am interested in different phenomena at the
syntax-semantics-pragmatics interface, especially from an empirical
and contrastive perspective. For example, in my master's thesis, I
investigated the interaction between information structure and word order variation in the German middle field using corpus and
experimental methods. As a member of
Project B01 within the SFB
„NegLab,“ I will be carrying out corpus and experimental studies on
negation and quantification in German.

Direktlink

Linguistics

Jan 30 2024

​ Melnik & Sailer edit special issue on “Constructional approaches in formal grammar”

In order to promote a discussion between formal and constructional approaches to grammar, Nurit Melnik & Manfred Sailer edited a special issue of the Journal of Language Modelling devoted to “Constructional approaches in formal grammar”.

The issue consists of a brief introduction and three papers – by Jamie Findlay, Frank van Eynde, and Nurit Melnik. In the introduction, Nurit & Manfred identify three key ways of understanding “constructional” and they show how each of the contributions in the issue relates to these.

Links

Direktlink

Linguistics

Nov 30 2023

​ Sailer & Lamoure in HPSG 2023 Proceedings

The proceedings of this year’s HPSG conference are now available! The volume includes a contribution by Manfred Sailer & Nicolas Lamoure on “Superlative ever in Dutch, French, German, and Spanish.”

The paper examines borrowed instances of emphatic superlative ever (ES-ever) into two Germanic languages (Dutch and German) and two Romance languages (French and Spanish). Manfred & Nicolas extracted naturally occurring instances of ES-ever and modeled the data in three stages:

  • Stage-1: constructional borrowing (el coolest job ever ‘the coolest job ever’),
  • Stage-2: diaconstruction (la  mejor canción ever ‘the best song ever’),
  • Stage-3: lexical borrowing (las portadas más photoshopeadas ever ‘the most photoshoped portals ever’).

In their formalization, they extend the HPSG approach to social meaning taken in Asadpour et al. 2022 to borrowing.

Manfred & Nicolas had presented part of this work earlier in a more informal way at the workshop on “Coexistence, Competion, and Change” at DGfS 2023. This work is also related to the initiative on the Dynamics of Asymmetric Language Contact (DALC).

References

Asadpour, Hiwa, Shene Hassan & Manfred Sailer. 2022. Non-wh relatives in English and Kurdish: Constraints on grammar and use. In Stefan Müller & Elodie Winckel (eds.), Proceedings of the 29th International Conference on Head-Driven Phrase Structure Grammar, Online (Nagoya/Tokyo), 6–26. Frankfurt/Main: Uni-
versity Library. (
doi:10.21248/hpsg.2022.1)


Sailer, Manfred & Lamoure, Nicolas. 2023. Superlative ever in Dutch, French, German, and Spanish. In Stefan Müller & Elodie Winckel (eds):  Proceedings of the 30th International Conference on Head-Driven Phrase Structure Grammar 80–100.
Frankfurt/Main: University Library. (doi:10.21248/hpsg.2023.5)

Links

Direktlink

TEFL

Feb 18 2026
14:00 - 18:00

Englischnachmittag für Grundschullehrkräfte

IEAS DID Foto

Im Zuge des Englischnachmittages haben Sie in diesem Jahr die Möglichkeit, an zwei der Workshops teilzunehmen und Anregungen für Ihre Schulpraxis zu sammeln. 


Anmeldung:

Die Anmeldung erfolgt über die Anmeldemaske der Geschäftsstelle der Goethe Lehrkräfteakademie (GLA).


Ort

Campus Westend, IG Farben Gebäude


Bildquelle: freepik.com

IEAS TEFL FLISST Programm Grundschule 2026
Direktlink

TEFL

Jan 21 2026
12:00

English Language Education Reading Circle

Auch im Wintersemester findet wieder der ELE Reading Circle statt, in dem jeweils ein aktueller Text mit Relevanz für die Englischdidaktik diskutiert wird. Am 5.11. war das Thema „kritische Fremdsprachendidaktik“. Rieke Dieckhoff führte in einen Artikel von Heidt/König/Louloudi/Merse (2025) ein, der anschließend von den anwesenden Mitarbeitenden und Studierenden als Diskussionsanlass genutzt wurde. 

Die nächste Sitzung des ELE Reading Circles findet am 21.01.2026 um12:15-13:45 Uhr in NG 2.701 statt. Als Textgrundlage fungiert der Orientierungsrahmen Globale Entwicklung – Bildung für nachhaltige Entwicklung in der gymnasialen Oberstufe. Alle interessierten Personen sind willkommen – eine Anmeldung ist nicht notwendig.

Direktlink

TEFL

Okt 7 2025

DGFF-Nachwuchspreis 2025 für Dissertation zur Filmbildung im Englischunterricht

Foto von der Preisverleihung mit der Vorsitzenden der
Auswahlkommission, Prof. Dr. Britta Viebrock
Der diesjährige Nachwuchspreis der Deutschen Gesellschaft für Fremdsprachenforschung (DGFF) geht an Dr. Jan-Erik Leonhardt als langjähriges Mitglied der Englischdidaktik an der Goethe-Universität. Ausgezeichnet wurde seine Dissertation „Film Literacy im Englischunterricht: Eine Mixed-Methods-Studie zur Erhebung der Kompetenzen von Lernenden der Sekundarstufe I“, die sich einem innovativen und bislang kaum empirisch erforschten Thema widmet.
Jan-Erik Leonhardt untersucht darin, welche Kompetenzen Schüler:innen beim Umgang mit Filmen im Fremdsprachenunterricht haben – und wie sich diese Kompetenzen erfassen lassen. Im Zentrum seiner Arbeit steht die Entwicklung eines Testverfahrens, das filmische Teilkompetenzen differenziert abbilden kann. Mit einer großen empirischen Studie mit 671 Lernenden konnte er zeigen, dass Schüler:innen zwar über vielfältige private Erfahrungen mit Filmen verfügen, im schulischen Kontext aber noch erheblicher Förderbedarf besteht – insbesondere beim kritischen und analytischen Umgang mit Filmen.
Die Jury würdigte die Dissertation als „herausragende und äußerst luzide geschriebene“ Arbeit, die nicht nur methodisch überzeugend sei, sondern auch die Filmdidaktik als eigenständige Teildisziplin der Fremdsprachendidaktik empirisch fundiere. Mit seinen Ergebnissen eröffnet Jan-Erik Leonhardt neue Perspektiven für den Einsatz von Filmen im Englischunterricht und leistet einen wichtigen Beitrag zum aktuellen wissenschaftlichen Diskurs. Die Arbeit erschien 2024 bei J.B. Metzler und kann über die Universitätsbibliothek der Universität Frankfurt (auch als E-Book) gelesen werden.

Direktlink

TEFL

Sep 23 2025
11:00

Guest Lecture: Shannon Sauro “Let's Play: Introducing Fanfiction to the Language Classroom" 

Shannon Sauro (University of Maryland, Baltimore County):
“Let's Play: Introducing Fanfiction to the Language Classroom" 

When: September 23rd, 11:00

Where: Westend campus, IG 251 

Registration is not necessary – but a quick email to buendgens-kosten@em.uni-frankfurt.de ensures you will get an email with room information.

Direktlink

Sprachpraxis

Dez 4 2025

New colleague: Olivia Smith

ieas sprax profile Smith

The Sprachpraxis is delighted to welcome a new lector to its team!  

Olivia is a writer from Ireland with a degree in English Studies from Trinity College Dublin and a master's degree in Anglophone Literatures, Cultures and Media from Goethe University. This semester she'll draw on her unique background to teach our first semester composition classes, Writing II: Irish Short Stories, ILS II: Book Club and our master's writing colloquium. Her research interests include Irish literature, Gothic fiction, gender studies and memory studies.

Direktlink

Sprachpraxis

Sep 25 2024
15:52

Registration for Language Classes

Please note that IEAS students are eligible to attend one language course 
(= sprachpraktische Übung) per semester only, irrespective of level.
For Staatsexamen Prep courses (alte Studienordnung), please see below.

__________________________________________

Registration for Language Classes Level I

Registration for Level I courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants. Students may choose three classes, one of which they will be allocated to when registration closes. Note that all students need to take Integrated Language Skills (Level I) first after which they then may proceed to take Writing Skills (Level I).

Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.

Please note:
Level I classes start the second week of semester.
Please bring your entrance-test results or Abiturzeugnis to the first day of class. 
Writing Skills (Level I): Please provide proof of having passed your ILS Level I class (screenshot of electronic transcript or Schein) to the first class session.

__________________________________________


Registration for Language Classes Level II and Level III

Registration for Level II and III courses is administered online. Lecturers may not sign up students for courses. All classes will be strictly limited to 30 participants.

Online registration will only be possible during the given timeframe
in the Vorlesungsverzeichnis. Please refer to QIS/LSF.

Please note:
All Level II and III classes start the first week of semester.
Level II: Students may only register for a Level II course if they have passed a Level I course, unless they are WiPäd students.
Please provide proof of having passed your Level I class (screenshot of electronic transcript or Schein) to the first class session.
Level III: Level III classes are designed for masters students only. Undergraduates may take a Level III course if they have completed their required "Sprachpraxis" modules (Level I and Level II).

Direktlink

Chaincourt Theatre

Jan 30 2026
- 07.02.2026

Chaincourt Theater - Winter semester 2025/26 production

"Glengarry Glen Ross" by David Mamet

Wealth, Power, Success, and Survival

The Chaincourt Theatre Company brings to the stage David Mamet’s Glengarry Glen Ross

How far should one go to attain wealth and success?  Which values can be compromised in this pursuit?  What measures can one take in a cut-throat competitive, materially obsessed world?  Are these goals only to be obtained through a ruthlessly single-minded attitude?  These are some of the questions playwright David Mamet confronts us with in Glengarry Glen Ross.

In his play, four real-estate agents find themselves thrown into a fight for survival over the course of one week by the owners of the agency in an attempt to increase profits.  The agent with the most sales wins a Cadillac El Dorado; the one with the second most sales wins a set of steak knives.  The last two are fired.  The agents respond with a mix of ambition, desperation, and morally questionable actions to keep their jobs.  In this way, David Mamet presents us with an all-too-familiar contemporary working world and challenges us to examine its existential value.

Born in Chicago in 1947, David Mamet is a playwright, author, screenwriter, and director.  His play, Glengarry Glen Ross won the Pulitzer Prize in 1984.  Mamet’s dialogue has been referred to as “Mametspeak”, a style of script-writing which influences television and screenwriters to this day.

The Chaincourt Theatre Company is made up of students from various faculties, alumni, and staff.  It has produced under this name since the mid-1990’s.  Before that, it went by IEAS Theatre.

Performances:  Opening night on January 30th 2026; additional performances on January 31st as well as on February 5th, 6th, and 7th (closing night).  Curtain is at 7:30 p.m.

Tickets:  10€ (general admission) and 5€ (reduced); tickets are only available at the box office one hour before curtain (6:30 p.m.); no advance ticket sales.

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Artistic Director); fisk@em.uni-frankfurt.de

Direktlink

Chaincourt Theatre

Jul 11 2025
19:30

Chaincourt Theater - Summer semester 2025 production

"An Ideal Husband"

What foibles are forgivable?

In An Ideal Husband, celebrated Irish playwright Oscar Wilde explores issues of far-reaching consequence:  Is putting people on a pedestal advisable, especially when love is involved?  Do we compromise ourselves when we covet power?  For what errors in judgement can we pardon those we love; and how should the public judge such missteps?  In the play, Evelyn and Gertrude Chiltern are confronted with these questions when the manipulative Mrs. Cheveley threatens to reveal to the press to what and to whom they really owe their wealth and standing in society. 

Just as we debate the veracity of “Cancel Culture” as well as the moral decency of those with power, Oscar Wilde’s characters often occupy a grey zone.  In An Ideal Husband, these perennial subject matters provoke not only thought and response but also provide a vehicle to entertain an audience.

Experienced cast and crew ready to take on the task

Under the direction of James Fisk, the Chaincourt Theatre Company has adapted the 1894 Victorian comedy to the here-and-now.  Both on and off stage, the theatre group is made up of students from various university faculties as well as from alumni of the English department.  Although most of the cast and crew are returning members, a number of fresh faces are also making their début.  All have taken it upon themselves to deliver the audience an engaging evening of entertainment.  Performances are in English and will take place in the “Nebengebäude” next to the Main Building on Campus Westend.

Performances:  Opening night on 11 July; additional showings on 12, 17, 18, and 19 July.  Curtain is 7:30 p.m.

Tickets:  10€/5€ (reduced); available one hour before curtain (no advanced sales or reservations)

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Managing Artistic Director) fisk@em.uni-frankfurt.de

Direktlink

Chaincourt Theatre

Jan 31 2025
19:30 - 08.02.2025 00:00

Chaincourt Theatre Production WS 24/25

Hamlet by William Shakespeare

Chaincourt Theatre

Jan 17 2025

Winter-semester production 2024/25

"Hamlet" - article in Frankfurter Rundschau 17.01.2025


Click article to enlarge.
FR article online.

Direktlink

Literary Journal

Nov 21 2024
- 23.02.2025

Literary Journal, Call for Submissions, Volume 8

Literary Journal

Okt 1 2024
- 01.03.2025

Call for Student Editors: The IEAS Literary Journal

The IEAS Literary Journal is composed of a team of IEAS student editors (BA, Lehramt, and MA) who select, edit, and develop at least one annual issue of English-language creative writing by our students. IEAS BA/Lehramt students can apply to be an editor starting in their third semester; MA students are welcome to apply at any time.

Becoming a Journal Editor – Why You Should Do It, and How:

BA AS and ES students may receive up to three extracurricular credit points in total for their participation (2 CPs as an editor/3 CPs as an editor-in-chiefplease consult your study plan for further information). Lehramt students do not receive credit points for participation, but they gain valuable experience in developing and managing student-based writing publications.

Applicants do not need prior editorial experience, just the desire to develop different types of texts, work with student authors, and support the editorial team in creating a publication. As an editor you must be able attending meetings, communicate in a clear and professional manner, and engage in detailed discussions about editorial matters.

Ideal applicants love writing, writers, and learning more about how words create narratives; they are also open to discussion and differences in perspective, manage deadlines responsibly, and can work independently as well as in a team.

Note: As an editor, you agree to be part of the editing team for an entire volume; this in a one-year commitment).


Editorial applications are accepted annually from October 1st to March 1st.

To apply, send an email to ieasliteraryjournal@gmail.com with a brief cover letter explaining who you are and specifically why you are interested in joining the editorial team. 

Direktlink