Articles:
‘From the Lost Generation to Generation X: The Great Gatsby vs. Kurt Cobain.’ Near Encounters - A Festschrift for Richard Martin. Ed. Hanjo Berressem und Bernd Herzogenrath Frankfurt am Main: Peter Lang Publishing, 1995, 121-40.
‘A Possible Source for the Name “Oedipa Maas.”’ Pynchon Notes 40-41, 107-10.
‘On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.’ Other Voices 1:3 (Jan 1999), http://www.othervoices.org/1.3/bh/highway.html
‘Stop Making Sense: Fuck ‘em and Their Law (... it’s only I and 0 but I like it ...).’ Postmodern Culture 10:2 (Jan 2000). http://www3.iath.virginia.edu/pmc/text-only/issue.100/10.2herzogenrath.txt
‘The Education of Henry Adams: A Physical Theory of Heredity/Heresy.’ Organs, Organisms, Organisations. Organic Form in 19th Century Discourse. Literary and Cultural Theory Vol. 6. Eds. T. Rachwal/T. Slawek Frankfurt am Main: Peter Lang Publishing, 2000, 159-68.
‘Looking Back at Old Adam: Cultural Identity in/as Retrospect(ion).’ ZENAF Conference Proceedings, Volume 1/2000. Frankfurt am Main: Zentrum für Nordamerika-Forschung (ZENAF), 2000, 15-39.
‘The Question Concerning Humanity: Obsolete Bodies and (Post)Digital Flesh.’ Enculturation 3.1 (Fall 2000) http://enculturation.gmu.edu/3_1/herzogenrath/index.html
‘The American Adam Revisited. American Literature, (National) Identity, and the Logic of Belatedness.’ Critical Essays on the Myth of the American Adam. Eds. Viorica Patea und Mará Eugenia Díaz. Salamanca: Ediciones Universidad de Salamanca, 2001, 65-80.
‘Nature’s Nation/Nation’s Nature: An Introduction.’ From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 1-6.
‘Looking Forward/Looking Back: Thomas Cole and the Belated Construction of Nature.’ From Virgin Land to Disney World: Nature and Its Discontents in the Americas of Yesterday and Today. Ed. Bernd Herzogenrath. Amsterdam and New York: Editions Rodopi, 2001, 83-104.
‘Living on the Edge. In the Country of Last Things.’ “As Strange As The World.” Annäherungen an das Werk des Erzählers und Filmemachers Paul Auster. Eds. Andreas Lienkamp, Wolfgang Werth, Christian Berkemeier. Hamburg: LIT Verlag, 2002, 63-75.
‘God is a DJ: Techno and Mysticism.’ Spirituality and Religion in American Culture. Eds. M. Peprnik and M. Sweney. Olomouc: Univerzita Palackého v Olomouci, 2002, 147-63.
‘Join the United Mutations: Tod Browning’s Freaks.’ Post Script: Essays in Film and the Humanities 21:3 (Fall 2002): 8-19.
‘Adam in the Rear-View Mirror: The Belated Construction of Origins in Cooper’s Leatherstocking Tales.’ Beyond Philology 2 (2002): 105-19.
‘ОСТАНОВИТЬ ПРОИЗВОДСТВО СМЫСЛА: ЕБАТЬ ИХ И ИХ ЗАКОН (Б. Херцогенраф)’ Russian Translation of my article ‘Stop Making Sense: Fuck ‘em and Their Law (... it’s only I and 0 but I like it ...)’ by Vsevolod http://www.highbook.narod.ru/philos/prodigy.htm (2003)
‘The Prefix Rules: American Psycho and the Poetics of [Mis].’ [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 112-30.
‘Brundlefly For President. Cronenberg, Kafka, and the Fiction of Insect Politics.’ [Mis]understanding Postmodernism & Fiction of Politics, Politics of Fiction. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2003, 273-90.
‘Tod Browning’s Freaks and the Fraternity of the Fragmented.’ The EmBodyment of American Culture. Eds. Heinz Tschachler, Maureen Devine, Michael Draxlbauer. Münster: LIT Verlag, 2003, 203-15.
‘JOIN, or DIE! The Myth of Wholeness and Visual Strategies of Dismemberment in Early American Political Cartoons.’ Colonial Encounters. Essays in Early American History and Culture. Ed. Hans-Jürgen Grabbe. Heidelberg: Universitätsverlag Winter, 2003, 243-62.
‘The Grotesque Body of Radical Democracy: Freaks and the Iconography of the Dismembered Body.’ Popular Culture and Democracy – An Easy/Uneasy Relationship. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2004, 93-109.
‘The (Un)fortunate Traveler and the Text: Bill Manhire’s The Brain of Katherine Mansfield.’ Towards a Transcultural Future. Literature and Society in a ‘Post’-Colonial World. Eds. Geoffrey V. Davis, Peter H. Marsden, Bénédicte Ledent and Marc Delrez. Amsterdam and New York: Editions Rodopi, 2005, 143-54.
‘Let’s get Physical. Heidegger’s Cyborg and the Vicissitudes of the Machine|Body.’ Wrestling Bodies. Gramma 11 (2003): 55-66. [published 2005]
‘A Tale of Two Generations: The Bravado of Failure in The Great Gatsby and Kurt Cobain.’ America: Home of the Brave. Eds. Matthew Sweeney and Michal Peprník. Olomouc: Univerzita Palackého v Olomouci, 2005, 149-68.
‘“Шоссе в никуда:” Линч и Лакан, кино и культурная патология.’ [Russian Translation of my article: “On the Lost Highway: Lynch and Lacan, Cinema and Cultural Pathology.”] Trans. Cyril Drozdov. Русская Антропологическая Школа. Труды. Выпуск 3 / Под ред. Вяч. Вс. Иванова. - Москва, РГГУ, 2005. [Russian Anthropological School. Coll. Papers. 3rd issue. Ed. Vyacheslav Ivanov. – Moskau: RSUH University Press, 2005.]
‘Eine “‘Physik’ der Macht:” Phasenübergänge und Turbulenz in der Antinomischen Kontroverse, Boston, 1636-38.’ Machträume der Frühneuzeitlichen Stadt. Eds. Christian Hochmuth and Susanne Rau. Konstanz: UVK Verlagsgesellschaft mbH, 2006, 91-110.
‘Introduction.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 10-7.
‘The Monstrous Body|Politic of Freaks.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 181-97.
‘Filmography.’ The Films of Tod Browning. Ed. Bernd Herzogenrath. London: Black Dog Publishing, 2006, 225-6.
‘(American) Culture and Its Discontents – The Case of F. W. Murnau.’ Brno Studies in English 32 (2006): 113-21.
‘The Angel and the Animalculae: Cotton Mather and Inoculation.’ Transatlantic Negotiations. Eds. Christa Buschendorf and Astrid Franke. Heidelberg: Universitätsverlag Winter, 2007, 13-24.
‘Introduction: Browning = Kant + Poe + … = Cinema.’ The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 1-18.
‘Filmography.’ The Cinema of Tod Browning. Essays of the Macabre and Grotesque. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2008, 231-34.
‘Nature|Geophilosophy|Machinics|Ecosophy.’ Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 1-22.
‘The “Weather of Music:” Sounding Nature in the 20th and 21st Centuries.’ Deleuze|Guattari & Ecology. Ed. Bernd Herzogenrath. Houndmills: Palgrave Macmillan, 2009, 216-32.
‘Introduction.’ An [Un]Likely Alliance: Thinking Environment[s] with Deleuze|Guattari. Ed. Bernd Herzogenrath. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2009, 1-22.
'The Return of Edgar G. Ulmer.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 3-22.
'Ulmer and Cult|ure.' Edgar G. Ulmer: Essays on the King of the B's. Ed. Bernd Herzogenrath. Jefferson, N.C.: McFarland, 2009, 23-38.
‘Necessary Detours.’ The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, xv-xxvii.
‘Filmography.’ The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 293-311.
‘Leviathan’s Dilemma: Hobbes and Complexity.’ deleuzian events: writing|history. Eds. Hanjo Berressem and Leyla Haferkamp. Berlin: Lit Verlag, 2009, 206-220.
‘A “Meteorology of Sound:” Composing Nature in the 20th and 21st Centuries.’ Transcultural Spaces. Eds. Winfried Fluck, Frank Mehring, Stefan Brandt. REAL – Yearbook of Research in English and American Literature, 2010, 247-60.
‘Pluribus|Multitudes: A Materialist Approach to the American Body|Politic.’ E pluribus unum or E pluribus plura? Unity and Diversity in American Culture. Eds. Hans-Jürgen Grabbe, David Mauk, Ole Moen. Heidelberg: Universitätsverlag Winter, 2011, 57-76.
"cinapses: thinking|film – Film, Philosophy and Neuroscience." Iluminace: The Journal of Film Theory, History, and Aesthetics, Vol. 23, No. 4 (2011): 144-8.
‘Introduction.’ The Farthest Place. The Music of John Luther Adams. Ed. Bernd Herzogenrath. Northeastern University Press, 2012, 1-12.
‘The “Weather of Music:” Sounding Nature in the Twentieth and Twenty-first Centuries.’ Ed. Bernd Herzogenrath. The Farthest Place. The Music of John Luther Adams. Northeastern University Press, 2012, 219-34.
‘Introduction.’ Time and History in Deleuze and Serres. Ed. Bernd Herzogenrath. Continuum Press, 2012, 1-16.
‘A Physical Theory of Heredity|Heredity: The Education of Henry Adams.’ Ed. Bernd Herzogenrath. Time and History in Deleuze and Serres. Continuum Press, 2012, 173-202.
‘Travels in Intermedia[lity]: An Introduction.’ Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 1-14.
‘Music for the Jilted Generation: Techno and|as Intermediality.’ Travels in Intermedia[lity]: ReBlurring the Boundaries. Ed. Bernd Herzogenrath. Dartmouth College Press, 2012, 111-24.
‘On the Lost Highway: An Encounter.’ Films, Graphic Novels and Visuals. Developing Multiliteracies in Foreign Language Education - An Interdisciplinary Approach. Eds. Daniela Elsner, Sissy Helff, Britta Viebrock. Münster: LIT Verlag, 2013, 185-200.
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‘Bluebeard.’ Stilepochen des Films: Classical Hollywood. Eds. Elisabeth Bronfen, Norbert Grob. Leipzig: RECLAM Verlag 2013, 273-8.
‘W/H/I/T/E.’ Prismatic Ecology. Ecotheory beyond Greens. Ed. Jeffrey Jerome Cohen. Minneapolis and London: University of Minnesota Press, 2014, 1-21.
‘Double-Deleuze: “Intelligent Materialism” Goes to the Movies.’ Cinema: Journal of Philosophy and the Moving Image 6 (2014): Special Issue: "Deleuze and Moving Images," 52-72, http://cjpmi.ifl.pt/6-contents
‘media|matter: an introduction.’ in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 1-18.
‘Matter that Images: Bill Morrison’s Decasia.’ in: media|matter: the materiality of media, matter as medium. ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2015, 111-37.
‘Film and/as Philosophy: An Elective Affinity?’ in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 11-22.
‘Strange Topologics: Deleuze Takes a Ride down David Lynch’s Lost Highway’ in: Film and|as Philosophy. Ed. Bernd Herzogenrath. Minneapolis: U of Minnesota P, 2017, 161-179.
‘sonic thinking – an introduction.’ in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 1-22.
‘in|human rhythms.’ in: sonic thinking. Ed. Bernd Herzogenrath. New York/London: Bloomsbury, 2017, 111-134.
Reviews:
Bruno Arich-Gerz. Lesen – Beobachten: Modell einer Wirkungsästhetik mit Thomas Pynchon’s Gravity’s Rainbow. Amerikastudien 49:3 (2004): 443-4.
Entries in Works of Reference:
‘Ballard, J(ames) G(raham)’ (Dictionary Entry) Metzler Lexikon englischsprachiger Autoren. Hg. Ansgar Nünning et.al. Metzler Verlag: Stuttgart, 2002, 24-5.
Translations:
(with Stefan Andriopoulos) ‘Science and Sensibility. Physiologische Ästhetik und die Normalisierung von Geschmack.’ (Timothy Lenoir). Die Adresse des Mediums. Eds. S. Andriopoulos, G. Schabacher, E. Schumacher. Köln: Dumont, 2001, 212-35.
‘Derrida and Foucault on Sovereignty.’ (Friedrich Balke). German Law Journal Vol. 6 (2005):1, http://www.germanlawjournal.com/article.php?id=539
‘Karloff, Lugosi, Browning and Whale.’ (Edgar G. Ulmer). The Films of Edgar G. Ulmer. Ed. Bernd Herzogenrath. Lanham, Maryland: Scarecrow Press, 2009, 289-291.
Articles in Art Catalogues:
‘Wo ist “hier,” wenn “Ich” zur Neigung neigt? Animationen von Almut Determeyer.’ Almut Determeyers Neigung. Ausstellungskatalog, 2005.
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